In reflecting on their collections, the National Gallery recognises, that in a vast 2,300 paintings spanning the 13th to early 20th century, only 21 are by women. It’s a shocking figure, and one that they use to tell a story around the “gender gap in art history”, the representation of women, and the barriers and obstacles that women faced when engaging with the art world. Today, whilst gender in itself is not a direct barrier to participation, pervasive societal inequalities that predominantly disadvantage women, continue to mean that the conversation around art and gender is of critical importance, both in relation to how women access the art world, and the role that the art they create has on the conversation. This October, Artizan Gallery will host its first ever “Women’s Open Exhibition”. Whilst historically we have had all-female line-ups frequently at the gallery, this will be the first time we have curated an exhibition with this intention at the outset, and beyond this, it will be a chance to have conversations about the history of women in art and the barriers and inequalities still present today. Key Dates Deadline for Entries: 21st September Confirmations: 22nd September Work Delivery: 23rd – 29th September (bookable) Exhibition Dates: 4th – 28th October Exhibition Launch: 6th October 18:00-20:00 Collection Window: 28th October - 2nd November (bookable, link to be circulated in final week of exhibition) Opening Hours: Tuesday - Saturday 11:00-17:00 Important Links Payments: https://www.art-hub.co.uk/product-page/awopayment Terms and Conditions: https://www.art-hub.co.uk/exhibitorsterms PDF Submission Form: https://1drv.ms/b/s!AogSEXwZ5CTjoMAvUd5AtU6Nrk6xlA?e=PbHihk Curatorspace Submission Form: https://www.curatorspace.com/opportunities/detail/artizan-womens-exhibition/7565

Torre Abbey, the English Riviera Geopark's most significant heritage building, transports visitors back in time to the 12th century. Established in 1196 by the Premonstratensian order, this remarkable structure has witnessed and survived epic moments of history, evolving from a thriving monastery to a grand Georgian mansion. With its 122 rooms, 20 levels, and 265 steps, Torre Abbey offers a fascinating experience for modern-day pilgrims seeking to explore eight centuries of history. Since its foundation, Torre Abbey has upheld a tradition of hospitality that has endured for over 800 years. The six Canons of the Premonstratensian order, who arrived in Torquay in 1196 thanks to Lord William Brewer's generous gift of land, initiated this tradition. Throughout the centuries, it was continued by Abbots, Canons, and later, the Cary family, who purchased the property after the Dissolution of the Monasteries. Today, the local authority proudly grant public access to the largest surviving medieval monastery in Devon and Cornwall, allowing visitors to immerse themselves in its history. Despite the austere life of the 12th-century Canons, supported by their servants and staff, Torre Abbey thrived and became the wealthiest Premonstratensian Abbey in England by the 15th century. This prosperity enabled the construction of Torquay's first harbour and the establishment of a neighbouring town, which came to be known as "Newton Abbot." In addition to their religious duties, the Abbey also offered free board and lodging to travellers, ensuring that their doors were always open to those in need. Following the Dissolution of the Monasteries by Henry VIII, the Cary family acquired Torre Abbey in 1662 and transformed it into a private residence. Over the course of nearly 300 years, the family added a grand Georgian mansion to the medieval structure. Renowned for their hospitality, the Carys earned the Abbey the local moniker of "The George Hotel," reflecting their commitment to welcoming guests. Within the grounds of Torre Abbey lies The Spanish Barn, a medieval Tithe Barn originally used to store taxes paid to the Abbey in the form of agricultural produce. Its historical significance is firmly established during the time of the Spanish Armada. In 1588, Sir Francis Drake captured the Spanish flagship, and among the prisoners held in The Spanish Barn was the fiancée of a Spanish lieutenant. The tragic tale of "The Spanish Lady" and her eternal search for her lost love adds an air of mystery to this historic site, which now hosts exhibitions, events and weddings. In 1930, Torre Abbey was purchased by the local authority, transforming it into an art gallery and museum. With its extensive collection of paintings, antiques, and the largest surviving collection of Victorian sculptor Frederick Thrupp's works, Torre Abbey became an essential cultural and artistic hub. A Home for Arts and Artists The cultural significance of Torre Abbey perhaps makes it an obvious attraction for a plein air painter such as Martin Dutton. Perhaps, as a regular exhibitor in the Spanish Barn, it was this proximity that drew him to consider the gatehouse as a subject for two works in his Torquay series, with its two prominent arches granting access to the front of the Abbey and picturesque views across its lawns to the sea. You can discover Martin's work at Artizan Collective Gallery until June 25th. For more information, visit www.art-hub.co.uk/ex/md23 #MartinDutton #DevonArt #DevonArtist #AbstractArt #CelebrationOfTorquay #TorreAbbey #md23

A fun musical is coming to the Little Theatre this summer, presented by Toads Theatre Company. Director, Chris Matanlé gives us a superb vision of this uplifting musical comedy. “Nunsense is a hilarious spoof about the misadventures of five nuns trying to manage a fundraiser. Sadly, the rest of the sisterhood died from botulism after eating vichyssoise prepared by Sister Julia Child of God. Thus, the remaining nuns, ballet-loving Sister Leo, streetwise Sister Robert Anne, befuddled Sister Mary Amnesia, the Mother Superior Regina, and mistress of the novices, Sister Mary Hubert are trying to stage a talent show in order to raise the money to bury their dearly departed with hilarious results. The Nunsense concept originated as a line of greeting cards featuring a nun offering tart quips with a clerical slant. The cards caught on so quickly that writer Dan Goggin decided to expand the concept into a cabaret show called The Nunsense Story, which opened for a four-day run at Manhattan's Duplex and remained for 38 weeks, encouraging its creator to expand it into a full-length theatre production. Our cast have had a wonderful few weeks bringing these crazy characters and bonkers story to life and we can’t wait to put it in front of an audience!” So, come along and join in the fun, laugh at the hilarity that is about to ensue as the nuns from Hoboken raise these all-important funds… Important Note: Nunsense is not included in TOADS season ticket. Tickets are £17 No concessions. Nunsense runs from Monday 5th to Saturday 10th June at The Little Theatre at 7:30pm each night with a matinee on Saturday 10th only at 2:30pm. Book your seats now. You won’t be disappointed! Directed by Chris Matanlé TOADS Box Office 01803 299330 (Open Tues-Fri/10am-12noon). Book Online www.toadstheatre.co.uk

TOADS @The Little Theatre, the creators of exceptional Torbay entertainment and one of South Devon’s treasures, have again pulled out all the stops to bring to you a cavalcade of new and inspirational performances throughout 2023/2024. First in the line-up is Dad’s Army: It’s 1941 and the sound of marching feet is echoing around the theatre. Three episodes of the perennial TV favourite Dad’s Army are rehearsed and ready to have you laughing in your seats.The episodes have been adapted for the stage by the original writers, David Croft and Jimmy Perry, and include all of the well-loved characters. The Director, Julie Hancocks, says ‘We have 22 actors who have been working hard on this production for a while, and we have had so many laughs during rehearsal. We are now ready to share our fun with the audience. The actors have tried their utmost to capture the essence of the characters they are portraying. We also have one or two surprises up our sleeves to transport the audience back to 1941.’ ‘Put that light out!’ ‘Were doomed. Doomed!’ ‘Dad’s Army’ is written by Jimmy Perry& David Croft. Directed by Julie Hancocks. Further information for all 2023/24 shows in the forthcoming season can be found on the TOADS website: www.toadstheatre.co.uk Box Office 01803 299 330 email: boxoffice@toadslittletheatre.co.uk Dad’s Army. A Comedy. Mon 7th August to Sat 19th August Also included in the 2023/2024 line-up are: Genesis Visible Touch: The ‘Shapes’ Album @ 40 Tour – Sunday October 1st 2023 Early booking is advisable. #TOADS #English_Riviera Some of the Platoon guarding the War Memorial at the Little Theatre. L-R Private Walker (Gary Hobbs); Lance Corporal Jones (Clive Nyquist); Private Pike (Charlie Wilkins); Sergeant Wilson (Nick Hewlitt) and Captain Mainwaring (Chris Mitchell).

In the midst of our fast-paced modern lives, where stress and disconnection can be prevalent, finding solace and connection with nature has become an essential pursuit. Research has shown that immersing ourselves in natural environments can profoundly impact our health and overall well-being, both physically and mentally. Embarking on an exploration of these benefits, we delve into the art of Danielle Neill—an artist who has embraced the essence of nature's healing influence. The biophilia hypothesis posits that humans possess an innate affinity for nature—a connection that fundamentally shapes our well-being. Extensive research has established two prominent theories—the Attention Restoration Theory (ART) and the Stress Reduction Theory (SRT)—that illuminate the positive impact of nature on our health. ART suggests that exposure to natural environments restores our attentional capacity, effectively counteracting the mental fatigue imposed by our modern lifestyles. Complementing this, SRT elucidates how nature activates our parasympathetic nervous system, fostering relaxation and reducing stress. Passionate about the natural world, Danielle Neill has been on a personal journey to heal and recover from Long Covid that embraced this healing potential in nature. During this transformative period she took solace and inspiration from the world around her, and found a renewed appreciation for it's resplendence, immersing herself in idyllic countryside and captivating coastal paths, to embark upon a creative process, translating her profound encounters with the environment into vibrant artworks. Through her adept use of brilliant hues and expressive brushwork, Danielle's paintings effortlessly capture the dynamic energy and essence of landscapes, transporting viewers to realms where the boundaries between art and nature dissolve. Embracing the versatile medium of acrylic paint, Danielle employs an array of tools, including brushes, sponges, and her hands, to create evocative compositions. Acrylic's vibrant pigments enable her to craft dynamic and fast-drying artworks, mirroring the vitality and movement inherent in nature. By focusing on the layering of colours rather than intricate details, Danielle infuses her paintings with a vivid and impressionistic quality, inviting viewers to embark on their own imaginative journey. Each brushstroke serves as a conduit, conveying the awe-inspiring energy of nature and compelling onlookers to explore the intricacies of the natural world. Extensive studies have unravelled the profound connection between exposure to nature and positive mental health benefits. Time spent in natural environments has demonstrated a remarkable capacity to reduce stress, anxiety, and depressive symptoms, with studies having evidenced decreases in cortisol levels—a biomarker of stress—after mere exposure to natural surroundings. Additionally, nature immersion has been associated with improvements in attention, executive function, and cognitive performance and these transformative benefits can significantly impact mental well-being, bestowing a sense of calm, clarity, and overall psychological resilience upon those who embrace the healing power of nature. Danielle Neill's art, infused with the essence of nature's tranquillity, serves as a poignant reminder of these holistic benefits, and whilst a stroll through her exhibition might not stimulate the same response as the landscapes themselves, we're certain they'll have a positive impact on anyone's mood. Danielle’s exhibition “Reconnecting with Nature” stands as a testament to the transformative power of nature, offering viewers a captivating and immersive experience that ignites a deep connection with the environment. By masterfully capturing the essence of nature's influence, Neill's paintings resonate with audiences, inviting them to reflect on the multifaceted benefits of immersing oneself in natural surroundings. You can discover Danielle's work at Artizan Gallery until July 28th. For more information, visit www.art-hub.co.uk/ex/dn23 #DanielleNeill #DevonArt #DevonArtist #LandscapeArt #PleinAir #dn23

The mesmerizing beauty of the natural world has long been a muse for artists, inspiring them to capture its essence in their preferred medium and apply their interpretation and experience of the landscape before them. One such artist who celebrates this enchantment is Bea Brookes, a talented South-West artist whose work is showcased as part of Artizan Gallery's "A World in Landscapes" exhibition. As we delve into the wider practice of plein air painting, we uncover the art form's allure and how it intertwines with Bea's own creations. Plein air painting, derives from the French term meaning "open air," and is an artistic approach that involves creating artwork directly in the outdoor environment, immersing oneself in an immediate experience of nature. It allows artists to engage with their surroundings, capturing the immediacy of changing light, colours, and movement that breathe life into the landscape. As a method, plein air painting dates back to the mid-19th century when artists such as Claude Monet and Pierre-Auguste Renoir ventured outdoors to portray the world as they saw it, with authenticity and immediacy. Bea Brookes, a lifelong artist, has a profound connection with the natural world. Living in Devon, perched atop a hill, she is surrounded by breathtaking vistas that span across a panoramic landscape. Her recent works, which are showcased in the exhibition, are a testament to her deep appreciation for her surroundings. Bea's artistic process begins with careful observation, multiple visits to a location, and the creation of sketches and capturing of photographs. These initial steps serve as a foundation for her subsequent paintings, allowing her to conceptualize the composition, perspective, and colour palette before translating her thoughts onto canvas. "I aim for a simple composition from what originally can be a complex vista with many focal points," Bea explains. "So, I'll spend a long time observing, re-visiting a place, just watching and looking. This instinctive and underestimated pastime is a real pleasure for me." One of the defining aspects of plein air painting is the ability to capture the essence and atmosphere of a place. Bea's artwork embodies this characteristic. While her paintings may seem organic and spontaneous, they are, in fact, a deeply personal interpretation of a location, often influenced by multiple photos or on-site sketches. Through her brushstrokes, she aims to evoke the feeling of a place, with rich tones, vibrant colours, and a sense of movement or stillness when required. Bea's love for the medium of oil painting shines through her work, as she embraces the malleability of the medium. Oils allow her to manipulate form and texture, creating a dynamic interplay between chalky subtlety and luscious richness. Each painting presents a new opportunity for exploration and self-expression, as Bea avoids being confined to a singular approach or style. Her optimism about the outcome and a preference for a loose artistic style result in captivating and evocative pieces. As we enjoy Bea Brookes' exhibition at Artizan Gallery, we are reminded of the profound connection between plein air painting and our appreciation of the natural world. Through her artwork, Bea invites us to immerse ourselves in the captivating landscapes she encounters, encouraging us to pause, observe, and find solace in the beauty that surrounds us. You can discover Bea's work at Artizan Gallery until July 28th. For more information, visit www.art-hub.co.uk/ex/bb23 #BeaBrookes #DevonArt #DevonArtist #LandscapeArt #PleinAir #bb23

English Riviera Summer Open 2023 As we continue to try and secure a future for our work in Torbay, we're delighted, however belatedly, to announce the English Riviera Summer Open 2023. If you've exhibited in our open exhibitions before you know the drill, but for newcomers our annual, seasonal opens are the biggest, and most ambitious visual arts showcases in South Devon, as we turn the walls of our highstreet gallery into a tapestry of original art from creatives all over the country. The exhibition is selective but open to all with our values for the showcase being: Diversity and Variety - we take a range of traditional and contemporary practice, selecting works that result in a showcase rich in media, subject and style; Originality and Innovation - this isn't an exhibition that just "plays it safe", we love traditionally work, but equally we want to share work with audiences that they may not find anywhere else; Quality and Talent - we select the best to create a showcase for our audience where they can guarantee they'll be taking away collectible, original work that can't be found anywhere else. This year, your support in taking part in the exhibition will be appreciated more than ever as we've had a rollercoaster over the last 9 months whilst we've fought to keep this showcase as part of the local arts calendar. There is one big change this year. For the first time your fee will only be payable if you are successful in having work selected for the exhibition. We'll be taking fees at the point of submission, but if we don't accept your work on this occasion we'll refund your fee in full. UPDATE: Based on interest from several artists, we have reinstated single entry submissions. Single entry submissions are charged at £10 but unfortunately are NOT refundable. Deadline for Entries: Thursday 29th June, Midday As always we can't wait to see your submissions and look forward to welcoming you to the English Riviera Summer Open 2023! Opportunities This is a selective exhibition, your fee is paid on submission but will be refunded if you don't have work accepted Up to 8 works can be submitted Works will have the opportunity to either be: ○ Selected (these will be guaranteed to hang) or ○ reserved (these will be requested for delivery and stored on the shop floor for audiences to view; they may also be hung if space permits at our discretion) All successful artists will be entitled to supply, in addition to their accepted work: ○ Up to three mounted and wrapped works for browsers or ○ Up to three additional small for sale products such as catalogues or artbooks, and ○ Greetings cards; either 5 copies of 3 designs or up to 15 original greetings cards All selected works will be showcased for a period of 6 weeks as part of Smmer on the English Riviera Exposure in the English Riviera’s premier selective exhibition gallery Opportunity for commercial sales of work Features in exhibition print and digital promotional material delivered via the channels of the exhibition curators and partner organisations Long-term exposure on the exhibition digital hub including micro-profile and the opportunity for additional features Selected artists may be recommended to our partner services to have their work featured in additional online listings Exhibition Awards including the English Riviera Award (selected by a guest judge) and the Audience Favourite Award. Work Sizes, Types and Dimensions: Works are classified as either: ○ 2D Wall Display ○ 3D Surface Display (not exceeding a height of 60cm) ○ 3D Floor Display Works of any medium are accepted 2D Works: ○ A single 2D entry will not exceed 60cm in any direction inclusive of framing ○ 2D entries exceeding 60cm but not exceeding 1.5m in any direction can be submitted as two entries 3D Works: ○ A single 3D entry will not exceed 80cm in any dimension ○ 3D entries exceeding 80cm but not exceeding 1.5m in any direction can be submitted as two entries ○ Small 3D works may be submitted as a series and be counted as one entry but you must contact the gallery before making your submission to confirm if your work qualifies for this ○ Jewellery and small items should be provided with secure display equipment and artists should consult with the gallery to ensure they are making sufficient provisions prior to submission. ○ A 3D work that is wall display should be submitted as a 2D Work ○ Where specific display equipment is required this must be specified ○ You may be requested to supply plinths or make additional provisions for display of your work where these are non-standard Dates Deadline for Entries: Thursday 29th June, Midday Confirmation of Entries: Friday 30th June, Midnight Start Date: Saturday 15th July, 11am End Date: Sunday 27th August, 4pm Launch Date: Friday 14th July, 18:00-20:00 Delivery Week: Saturday 1st July, 11am - Thursday 6th July, 5pm (bookable on acceptance) Hang Week: Friday 7th July - Thursday 13th July (artists are not required but should be prepared to receive work queries during this period) Opening Hours: It may be necessary for our opening hours to adjust between now and the exhibition, but we intend to open weekends and 3 week days (5 days/week) 11:00-16:00 Fees Exhibition Fees: £30 (payable at the point of submission, refunded if not selected) Donation: £5 (optional, non-refundable) UPDATE: Based on interest from several artists, we have reinstated single entry submissions. Single entry submissions are charged at £10 but unfortunately are NOT refundable. Commission Fees: 35% Payments can be made at the below link once you have made your submission: https://www.art-hub.co.uk/product-page/ersopayment All fees go towards Artizan Collective's continuing work to deliver opportunities for artists in the South West. About Artizan Collective CIC Artizan Collective CIC is a not for profit Social Enterprise dedicated to the advancement of arts and culture in Torbay, supporting wider engagement and greater accessibility to arts for our communities, through the provision of opportunities, resources, spaces and networks for creatives of all practices in a sustainable and resilient manner. Currently hosted at Fleet Walk in the Artizan Collective Gallery, the Collective is providing a vibrant creative hub delivering opportunities for artists and audiences living and working in the Bay, as well as contributing to the English Riviera's cultural tourism offer. The venue currently runs a year-round visual arts programme which supports artists of all disciplines and experiences, including students and emerging artists, by creating affordable exhibition opportunities, awards and bursaries. In addition, a programme of community workshops, artist studios, and production spaces are in development in partnership with other independent creatives and local cultural organisations. Through this activity we aim to improve the perception of Torbay's cultural offer, showcasing and connecting the creative stakeholders contributing to the sector and signposting audiences from this prominent location, to the areas hidden gems. The organisation currently consists of two directors and a small group of key stakeholders and partners who support and deliver work, as well as an invested community of artists and creatives. Artizan Gallery supports the work of Artizan Collective CIC through the sharing of resources and promotional activities. Main Contact: Julie Brandon Contact Email: juliebrandon@artizangallery.co.uk Contact Phone Number: 07522 509642 Venue Address Artizan Collective Gallery Unit 5 Fleet Walk 74 Fleet Street Torquay TQ2 5EB Important Links Exhibition Page: (coming soon) External Link to Submission Form: https://forms.gle/4U63cP1LjZpcG5sA7 PDF Submission Form: Download Curatorpace Submission Form: (available soon) Exhibition Fee Payment Link: https://www.art-hub.co.uk/product-page/ersopayment Terms and Conditions: www.art-hub.co.uk/exhibitorsterms FAQs UPDATE: Based on interest from several artists, we have reinstated single entry submissions. Single entry submissions are charged at £10 but unfortunately are NOT refundable. Do I need a google account to submit using the form on this page? You do not need a google account to submit using the form on this page. However, you may be offered the option to sign in with a google account during the process and this enables you to save your progress when completing the form. Where do I submit my images? Once you have completed your submission, you can email your images to imagesubmission@artizangallery.co.uk Why do you take fees for your opportunities? We try to make all of our opportunities as accessible as possible, but as an independent non-profit that receives no external funding, we unfortunately still find ourselves in the position that we do have to charge fees for participating with our open calls. This is something we keep under constant review, and we monitor other local, national and international opportunities with an aim to keep our rates below the average of the fees we track. How do I know you've received my submission? When you make your payment for your submission we check that we've received your form and images. If any elements are missing we'll be in touch to request them. Provided you have had a payment receipt to confirm you've paid your fee, if you don't hear from us to request additional information, your submission is complete. Where can I see a copy of my submission form? If you'd like a copy of your completed submission form, email us at info@artizangallery.co.uk Submission Form

Artist FG Davis (affectionately known as George) has been keeping busy over the last few months and has recently sent us this update to let us know more. ‘Each year I have the privilege of submitting a banner for a festival which happens over a week in August in the town of Gata de Gorgos, Alicante, Spain. The festival features selected work from over 60 artists from over 14 countries, drawing crowds from all over the World. Organised by the town of Gata, under the auspices of 'The European Textile Network' (ETN), Art Al Vent is one of the World’s most important international open-air textile art exhibitions. The medium and dimensions of banners are strictly controlled, measuring: 250 x 163 cm, to adhere to the size of traditional Spanish lace bed sheets. The banners are displayed, as were the bed sheets in the past, from the balconies throughout the town, accompanied by music, film, dance and culinary events during the week. ‘Dancers’ in Acrylic and Textiles is my contribution for this year’s event. In my studio in France in January this year I started working on a series of cut paper pieces recalling the late work of Henri Matisse. These small pieces were continued on my return to the UK and a selection of this series are destined for the forthcoming 'Members Summer Exhibition' at The St Ives Society of Artists, Cornwall, 14 June to 2nd September. 2023. Inspiration has come from our home in France and recent travels.’ JOANNE’S IRISES. A collage completed in my studio in France inspired by my wife’s irises in her garden. These magnificent, curved blooms stand proudly in the foreground whilst the painted corrugated garden shed offers an element of contrast in the background. THE POOL. Inspired by the pool in the hotel we stayed at during our recent visit to Cambodia. Surrounded by luxurious foliage the pool was a haven of peace and tranquillity. The addition of a well-stocked bar at the end of the pool may well have added to the feeling of relaxation experienced by the swimmers. LA TERRASSE. Inspired by the terrace of our house in Southwest France, with its magnificent Tilleul tree. The shadow cast by the tree offers welcome shade in the hot days of summer. A SECRET KISS. A fanciful collage ruminating on a secret kiss. Both participants looking suitably surprised. THE ART BRIDGE. Inspired by seeing the famous art bridge in Singapore. The bridge is situated at Robinson Quay and is known as the Alkaff Bridge, as it is shaped like a Tongkang, the inverted truss of a river lighter, and is situated near the former Alkaff Quay. The bridge was first painted in 2004 by Philopena artist, Pacita Abad, 1946-2004. The entire structure was hand painted with brightly coloured concentric circles using 55 different colours and 900 litres of industrial strength paint to transform it into Singapore’s first art bridge. IN THE INTEREST OF BALANCE. A collage which owes a lot to the aesthetic principles of the Bauhaus, with its geometric posters which are the apotome of balance using shape and colour. THE ATLAS BAR, SINGAPORE. My wife and I visited this over the top, 1930s inspired, Gin palace in Singapore this Autumn. The abundance of intricate geometric patterns and wall reliefs adorn every available surface broken only by the curves of the luxurious furniture. The bar’s exterior is often compared with the Lonely Planet building seen in the Batman films and bar claims to have the world’s largest selection of gin. Its decorative extravagance Closer to home Artizan Gallery holds a permanent selection of George's work some of which is currently on display at our gallery on Lucius Street in our 'Small Is Beautiful' Exhibition https://www.art-hub.co.uk/ex/june23 and other larger works that can be viewed by appointment. #FGDavis #ArtalVent #Matisse #sisa #engiishriviera

Overlooking Torquay Harbour, the presence of the illustrious Church of St. John the Apostle is felt as you turn your eyes from sea back inland, as this prominent church overlooks the bobbing boats and bustling harbour walks with a divine gaze. During the nocturnal hours this gaze is clearly seen, as a large neon cross shines brightly from its tower, illuminating the night sky with a celestial glow. This luminous symbol of faith was bestowed upon the church in loving memory of Cecil Maude, the renowned actor-manager, by his devoted wife, the esteemed Mrs. Beatrice Maude. Dedicated in a solemn ceremony conducted by the Bishop of Exeter on the 8th of September, 1955, it is the most contemporary of an array of fascinating details that mark the uniqueness of this place of worship. St. John the Apostle Church is located on Montpellier Road in Torquay and has a fascinating history that dates back to 1823. Originally serving as a chapel-of-ease to the parish church at Tormoham, the present-day structure we admire today was designed by the visionary architect George Edmund Street. The construction took place between 1861 and 1873, with different sections added over time. The building process began with the construction of the chancel, which was consecrated in 1864. It featured beautiful carvings by the talented artist Thomas Earp and intricate mosaic work crafted by the esteemed Antonio Salviati. The north aisle was completed in 1866, followed by the nave and south aisle in 1871. The grand west tower, designed by Arthur Edmund Street, was finalized between 1884 and 1885. A special occasion was held to commemorate the tower's completion in 1885, during which a new bell, cast in E flat by Warner and Son of London, was dedicated. The lady chapel within St. John's underwent an extravagant transformation between 1888 and 1890 under the skilled hands of John Dando Sedding. Delicate iron grills now separated the chapel from the chancel and aisle, leading visitors to an ornate altar and reredos graced with polished Torquay marble steps. The chapel featured new oak seating placed upon oak platforms and a meticulously crafted oak floor. The seating's front and back showcased intricately carved tracery, while the seat ends displayed exquisite fleur-de-lis termination, and shields adorned with sunken carved panels depicting scenes from The Passion are found on the seat sides. The church's musical soul found expression through the acquisition of an organ. Initially, a temporary organ was procured from Dicker of Exeter, but upon the completion of the nave, a new organ was commissioned and built in 1872 by William Hill & Sons. This magnificent pipe organ boasted three manuals and pedals, along with an impressive array of 47 speaking stops. Another of the church's awe-inspiring features is the remarkable west window, designed by Edward Burne-Jones in 1890. Within its exquisite composition, elegant angels donned in flowing drapery grace the scene, with the central depiction of St. John the Evangelist standing out prominently. The window draws inspiration from Burne-Jones' renowned masterpiece, the Nine Choirs of Angels which adorns the Jesus College Chapel in Cambridge. The great east window, also designed by Burne-Jones, embraces a cooler palette and portrays the concept of the Church Triumphant in the Heavenly Jerusalem. In addition to its architectural marvels, the Church of St. John the Apostle boasts an exceptionally rich collection of furnishings. These opulent adornments, characteristic of the mid-Victorian era, reflect the church's prominent position as a bastion of Devon Anglo-Catholicism. Visitors are greeted by an overwhelming display of lavish materials. The chancel arch stands out with its towering marble corbel shafts adorned with intricate carvings and leaf motifs. The nave walls above the arcades are adorned with irregularly shaped stones, creating a "crazy paving" effect. And above the arch, a two-light central window and single lights on each side provide glimpses into the space above the chancel vault. Impossible to Overlook: A Landmark in Works of Martin Dutton The Church of St. John the Apostle is a true testament to Victorian grandeur, combining architectural splendor with artistic brilliance and its presence atop the harbourside cliff face makes it an imposing part of the landscape for a plein air painter like Martin Dutton. When capturing scenes of Torquay Harbour, Martin's eye was drawn upwards to this guardian building that watched over the peopled streets, bars and restaurants, a juxtaposition of staid solemnity and urban buzz. You can discover Martin's work at Artizan Collective Gallery until June 25th. For more information, visit www.art-hub.co.uk/ex/md23 #MartinDutton #DevonArt #DevonArtist #AbstractArt #CelebrationOfTorquay #StJohn #md23

Standing prominent in Torquay's Princess Gardens, the Princess Theatre resides, a prominent steward of the Bay's culture and creativity. Since its grand opening on Wednesday 7 June 1961, this magnificent 1,500-seat theatre has enchanted audiences with diverse performances, ranging from comedic brilliance to operatic splendour. The Princess Theatre emerged during the redevelopment of Torquay's Princess Gardens area. Prior to its construction, the site featured an annual marquee, serving as a temporary home for light entertainment. However, in 1961, Torbay Council unveiled the Princess Theatre, a permanent structure that would become a jewel in Torquay's cultural landscape. Traditionally, seaside resorts were renowned for their vibrant summer seasons, filled with light entertainment and family variety shows. Torquay and the Princess Theatre were no exception. Over the years, the theatre has hosted a plethora of renowned performers, including comedic legends such as Tommy Cooper, Morecambe & Wise, Joe Pasquale, and Kenn Dodd. Their audiences' laughter continues to echo through the aisles, a reminder of the enduring quality of the shared experience that theatre offers. Beyond its comedic offerings, the Princess Theatre has played host to an array of musical talent. From esteemed artists like Billy Ocean, Paloma Faith, and Don McLean to iconic bands like Level 42 and Squeeze, the theatre has resonated with melodies that captivated audiences. Whether part of their UK tours or standalone performances, these musicians bring their artistry and talent to the Princess Theatre, enriching the cultural fabric of Torquay. The Theatre's reputation as a premier touring house has attracted acclaimed productions from across the globe. Audiences have revelled in the splendour of Broadway hits like "Chicago," "The Play That Goes Wrong," "We Will Rock You," "The Cher Show," and "Six." From contemporary productions to long-running classics, the venue's ability to host world class talent provided unparalleled cultural experiences to local audiences. Additionally, the Princess Theatre supports local talent, providing a platform for two esteemed musical production companies: TOADS Stage Musical Company and TOPS Musical Productions. These annual productions add a vibrant local touch to the theatre’s diverse program, fostering community engagement and artistic growth. Today, the Princess Theatre remains a beacon of cultural heritage and artistic magnificence, beloved by locals and tourists alike. Owned by Torbay Council and operated by the renowned Ambassador Theatre Group, this architectural gem, with its distinctive 1960s modern design, continues to inspire awe. An Icon in the Landscape In his studies of Torbay's Princess Gardens, Martin Dutton turned his eye frequently to the urban landscape that carefully intertwines with this elegant Victorian setting. The grand and much-loved Pavilion came to have particular importance in the body of work, but occasionally he turned his eye to its sister at the opposite end of this seafront promenade. Glimpsed in the background of two works from the series, the clean lines of Torquay's Princess Theatre reassuringly grace the scene, reminding us that there are pillars of culture across the town that will always provide entertainment and joy for its communities. You can discover Martin's work at Artizan Collective Gallery until June 25th. For more information, visit www.art-hub.co.uk/ex/md23 #MartinDutton #DevonArt #DevonArtist #AbstractArt #CelebrationOfTorquay #PrincessTheatre #md23

"MEADFOOT, a suburb of Torquay, in Devon. It lies around what was once a secluded cove; is an entirely modern place; and comprises crescents, terraces, wide streets, and lines of villas, continuous with Torquay." John Marius Wilson's Imperial Gazetteer of England and Wales, 1870-72 Meadfoot, an enchanting area nestled along Torquay's coastline, has a unique and captivating landscape with a significant beauty that extends beyond its beaches and cliffs. Meadfoot's destiny became intertwined with the sea, as the town's natural harbour offered a haven for seafarers and traders. During the 19th century, Torquay flourished as a hub of maritime activity, and Meadfoot thrived in its wake. Elegant Georgian and Victorian villas began to line the cliffs, providing an exquisite panorama of the azure waters below. The town's proximity to the Mediterranean-like climate and its tranquil coves enticed discerning visitors seeking respite from bustling city life. Meadfoot Beach itself is a captivating mix of rock, stone, and sandy areas, with a picturesque promenade adorned by colorful beach chalets. Its tranquil ambiance and the rhythmic sound of the sea lapping against the shore make it a perfect spot for relaxation and contemplation. Its geological formations provide a window into the past. Observations of the finely bedded Meadfoot sequence reveal evidence of a distorted and displaced beds, offering insight into the Variscan Orogeny. The presence of ripple-marked surfaces suggests an estuarine environment or deeper waters near a river mouth. Fossil discoveries, such as trilobites, further confirm the area's ancient marine history. This geological richness extends beyond Meadfoot's sediments. Victorian times saw the discovery of gold in the area, although mining proved impractical. Collectors extracted samples from the gold veins, leaving remnants of this precious metal. The beach's foreshore offers an opportunity to find fossils and extinct corals. Additionally, Meadfoot's pebbles include microgabbro, greenstone, and iron deposits, originating from various locations along the Torbay shore. Situated just 300 yards off Meadfoot Beach stands Thatcher Rock, an intriguing geological formation that has captured the imagination of locals and visitors alike. It was formed over 2 million years ago during the Ice Age, is a Middle Devonian Limestone structure akin to Berry Head in Brixham. Viewed from Thatcher Point, it is home only to the diverse sea birds of this coastline, with gannets, gulls and cormorants seen fishing nearby. Throughout history, Meadfoot has attracted an array of notable residents, who added their own unique brushstrokes to the town's cultural canvas. One such visitor was the eminent naturalist Charles Darwin, who stayed for a period at Hesketh Crescent whilst working on the final chapters of On the Origin of Species. King Charles IV also made a regal visit here, and Agatha Christie stayed with the Lucy family (also at Hesketh Crescent) when in the area, frequenting Meadfoot Beach as one of her favourite bathing spots. Today, the Agatha Christie Mile, a pathway that allows visitors to follow in the footsteps of the esteemed author, runs the length of the beach, revealing the places where Agatha Christie swam, danced, and spent her first honeymoon, offering a glimpse into her life. Meadfoot's continued allure lies not only in its captivating natural scenery but also in its rich historical tapestry. From the footsteps of Agatha Christie to the enigmatic Thatcher Rock and the geological wonders scattered along its coast, Meadfoot offers a wealth of experiences and stories waiting to be explored. You can discover Martin's work at Artizan Collective Gallery until June 25th. For more information, visit www.art-hub.co.uk/ex/md23 #MartinDutton #DevonArt #DevonArtist #AbstractArt #CelebrationOfTorquay #CaryPark #md23

Nestled just north of Torquay's bustling center, Cary Park stands as a reminder of an elegant and refined past that this seaside town found its origins in. The small but pleasant greenspace has witnessed remarkable events, from exhilarating horse races to grand agricultural shows, whilst its ancient history lies in simple farming. As the focal point of development during the late 19th and early 20th centuries, Cary Park has evolved into a harmonious blend of landscaped vistas, elegant architecture, and peaceful open spaces. In 1897, Cary Park was generously bestowed upon the public to commemorate Queen Victoria's Diamond Jubilee. The land was donated by Robert S.S. Cary, hence the park's name, and the St. Marychurch Local Board oversaw its design and construction. A fountain, erected in 1903 by Robert Cary's widow, stands as a testament to the park's origins and the Cary family's benevolence, with a record of the dedication appearing on a block of Petitor Marble: “This Park, the generous gift of Robert S. S. Cary Esq., was dedicated to the public for ever, in the 60th year of the reign of Queen Victoria 1897.” Cary Park itself was carefully planned and established in the 1890s as a public park, becoming the central point for the surrounding development that primarily took place between 1890 and 1915, with the layout of Cary Avenue and Cary Park aligning with an earlier tree-lined avenue, designed to create picturesque views towards the grand All Saints' Church. Standing as a prominent landmark within Cary Park, the majestic Parish Church was designed by the esteemed architect William Butterfield, an architectural gem constructed between 1868 and 1874 for the newly formed parish of Babbacombe. The historical significance of Cary Park extends beyond its more recent developments with evidence of it having been inhabited since prehistoric times. Within close proximity to the conservation area lies the exceptionally preserved prehistoric field system of Walls Hills, dating back to the Late Bronze and Early Iron Ages (c. 1200-800 BC). A later estate map of the Cary family dated 1775, still shows the whole area of what is now Cary Park to have been a medieval field pattern. Today the parks contemporary layout still reflects much of the original design and the wider development that followed showcases a well-executed example of late Victorian town planning. Although not as elaborate as some of Torquay's earlier villa developments, the conservation area's well-designed street patterns, generous open spaces, and harmonious integration of buildings all mark its unique appeal today. An interplay between its public open spaces and private gardens, lush greenery and mature trees form a captivating backdrop for the charming villas that grace the area, and promenaders can enjoy the peaceful ambience, with limited through traffic to cause disturbance and the presence of footpaths that wind through the parks. With all this tranquillity, it is difficult to imagine the present-day Cary Park as having hosted some of the grander Torbay events of the Victorian era, even once, in 1854, as a venue for thrilling horse races which drew immense crowds to witness the daring riders in action. The location posed a unique challenge for these equestrian athletes, as a treacherous pond near the church often proved to be their undoing, resulting in unexpected plunges into the water. Today Cary Park stands in understated beauty, a significant part of community life and the day-to-day comings and goings of residents and locals. Its rich and unlikely historical roots are probably little known to many, but its gentle elegance remains and is still enjoyed in much the same way as it has been for centuries. Through the Seasons with Martin Dutton In his studies of Torquay, Cary Park drew particular attention from artist Martin Dutton as he mapped the passing of days and seasons in careful contemplation of dog walkers, churchgoers and path roamers. As the seasons turned slowly, so too did the visitors, taking tranquil repose in these picturesque scenes. You can discover Martin's work at Artizan Collective Gallery until June 25th. For more information, visit www.art-hub.co.uk/ex/md23 #MartinDutton #DevonArt #DevonArtist #AbstractArt #CelebrationOfTorquay #CaryPark #md23