Delamore Arts X Artizan Collective UPDATE APRIL 1ST: We've been able to add an extra, large space within the courtyard ideal for pairs or small groups, bookable by the day. See full details below. IMPORTANT NOTE: This is the second round of this call. Full details and terms can be found here . Call for Makers, Artists and Artisans: Maker Takeovers 2026 Artizan Collective is seeking applications from artists and makers to take on Maker Takeover spaces in The Stalls as part of Delamore Arts 2026. “After a successful first year in 2025 we’re looking forward to revisiting what we anticipate will be a popular feature of Delamore Arts 2026, both for artists and audiences. The Maker Takeovers are a great opportunity to sell direct to Delamore’s regular annual collectors, who value the chance to meet artists and makers face to face to hear about their practice.” Julie Brandon, Director Artizan Collective This is a selective call to which we are inviting applications. Round 2 Process Gaps that have not been booked as blocks are now available to book flexibly. Where blocks remain, this can still be booked with a 5% discount, or you can alternatively book a single day or your own multiday variation. *NEW* Large/Group Pod The new large/group pod is situated within the Stable Courtyard and is approximately twice the size of the existing "Large Pod". It includes hanging system for 2D display and we are able to provide some tables and surface display furniture. Power and a sink are available making the space ideal not only for display but also delivering demonstrations and carrying out live practice to engage audiences, and on good weather days you can make use of the courtyard area immediately outside the pod. Given the size of the space, we recommend groups consider it, and also booking for a minimum of two days to justify setup times. The space is secure so all items can be left overnight. All other amenities are as outlined for the wider Maker Takeover event. Available Dates Our remaining available dates are in the table below. Please note the details below for reading this table: Indicated prices are the daily rates When booked as a coloured block (e.g. 1st May - 4th May), a discount will be applied Where you book multiple days but not as a block, we cannot offer a discount. * Indicates that there are 2 pods available at this rate on this date No commission is taken on sales Dates will be filled on a first come first serve basis Standard Pod Large Pod *NEW* Group Pod 26th April - Launch Day (£60) 5th May (£65) 1st May (£95) 3rd May (£60) 6th May (£65) 2nd May (£95) 4th May (£60) 7th May (£65) 3rd May (£95) 5th May (£50)* 11th May (£65) 4th May (£95) 6th May (£50)* 12th May (£65) 5th May (£85) 7th May (£50)* 13th May (£65) 6th May (£85) 8th May (£50)* 14th May (£65) 7th May (£85) 9th May (£50) 26th May (£65) 8th May (£85) 10th May (£50) 27th May (£65) 9th May (£85) 11th May (£50)* 28th May (£65) 10th May (£85) 12th May (£50)* 29th May (£75) 11th May (£85) 13th May (£50)* 30th May (£75) 12th May (£85) 14th May (£50)* 13th May (£85) 18th May (£50)* 14th May (£85) 19th May (£50)* 15th May (£95) 20th May (£50)* 16th May (£95) 21st May (£50)* 17th May (£95) 22nd May (£60)* 18th May (£85) 23rd May (£60)* 19th May (£85) 24th May (£60)* 20th May (£85) 25th May (£60)* 21st May (£85) 26th May (£50) 22nd May (£95) 27th May (£50) 23rd May (£95) 28th May (£50) 24th May (£95) 29th May (£60) 25th May (£95) 30th May (£60) 26th May (£85) 31st May (£60) 27th May (£85) 28th May (£85) 29th May (£95) 30th May (£95) 31st May (£95) Submission Forms Word Document (fillable): Download a copy of the form here and email it to juliebrandon@artizangallery.co.uk https://1drv.ms/w/c/e324e4197c111288/IQBySKRpZq93QKn5eo-F36JyAYL_0xsfluKiDCIObbYRYgE?e=ChDGDX PDF (printable/readable): Download a copy of the form here and either print, fill and post to Artizan, 7 Lucius St, Torquay, TQ2 5UW OR   print, fill, scan and email to juliebrandon@artizangallery.co.uk   OR  use as a reference to submit the required information in the body of an email to juliebrandon@artizangallery.co.uk   https://1drv.ms/b/c/e324e4197c111288/IQA14UVjlzM1T5TysY1UDyvtASPJlXEkZkc05NwXjge-mws?e=l9OoJQ Application Fee Please make your fee payment at the below link once you have made your submission: https://pay.sumup.com/b2c/QONM6ZKF

We are seeking 4-5 artists with a plein air practice for a paid audience facing role as part of Delamore Arts 2026. Plein Air At Delamore Plein Air at Delamore will be a weekend long event that will open this year’s exhibition in the grounds of Delamore Estate, falling on the first May bank holiday weekend. Commissioned artists will be invited to create work in Delamore’s grounds and will then be invited to compete in the final professional’s day. Role Commissioned artists will paint on location, engaging with audiences about their practice and being a part of the events activity for the bank holiday weekend. Each painter will also hold a 1-2 hour session along the lines of a demonstration, paint along, technique workshop (their choosing) that audiences will be able to join for. We are seeking a diverse range of practices that demonstrate the breadth of plein air/open air creative processes, from the more traditional association with oil and watercolour, through to digital, urban, printmaking and other media. Professionals Competition On Day 3, the final day of the event, there will also be a professional’s competition with guest judges and cash prizes. There will be a fee for competing artists to setup for the day, but our commissioned artists will be given free entry to compete, and we would very much like them to join for this element. Event Timings The event will run from May 2 nd  – 4 th . Activity Date Delamore Live: Artists in Action: No other painters on site, audiences will explore Delamore’s exhibitions and grounds and will be invited to observe and engage with our commissioned painters. Saturday 2 nd Delamore Creates: Bring a Brush and Have a Go: Families and painters will be invited to come to Delamore and get involved, painting in the grounds. Sunday 3 rd The Delamore Open: The Open Air Art Competition: A competitive judged paint off day. All commissioned artists are invited to participate with no fee. Monday 4 th   Delamore’s opening times are 10:30-16:30 and we request your activity is for the full duration of these times excluding comfort breaks and a 45-minute lunch break. Delamore staff will be available throughout the day to support in any setup, securing of equipment and other reasonable requests. Fee Each commissioned artist will receive a fee of £180.00 (total) plus reasonable travel expenses. You will also receive a soup lunch from the Delamore café (day 1 only). Applying and Selection We will select artists to create a diverse and engaging event with a focus on different practices, styles and activity. We will also need to see evidence of sufficient experience painting on location and engaging with audiences. You can download the submission form from the links below, or visit the application page on curatorspace. Deadline for applications is April 10th. Word Form: Plein Air at Delamore - Call For Demo Artists.docx PDF Form: Plein Air at Delamore - Call For Demo Artists (Fillable).pdf Curatorspace: https://www.curatorspace.com/opportunities/detail/plein-air-at-delamore-call-for-delamore-artists/10510 Terms and Conditions 1. Sales, Display, and Commission Works produced across the two days may be requested for display during the month of May. These works can be displayed either commercially or Not For Sale (NFS) at the artist's discretion. If displayed commercially, works will be subject to Delamore’s standard commission fee of 35%. It is acceptable to take commercial enquiries for the works you’re producing on the day. However, works cannot be taken away until Delamore has had first refusal to display them for the duration of the exhibition. Any sales agreed upon or facilitated on Delamore grounds during the event will incur Delamore’s standard commission fee of 35%. 2. On-Site Conduct and Safety Artists must respect the Delamore grounds. There is absolutely no disposal of paint water, solvents, or materials into the grounds, bushes, or drains. We understand that some mess is a natural part of the creative process. However, where the use of messy materials is excessive, artists must take suitable protective steps (e.g., using drop-cloths) to prevent overspray or spills onto grass, trees, or historic stonework. Any hazardous materials or tools must be approved by the organiser. No mains electricity will be provided on the grounds. Artists using digital devices or other makers must ensure all tools and devices are hand-operated or strictly battery-powered. 3. Marketing and Promotion Commissioned artists will be required to participate in all marketing and promotion in the build-up to, and during, the event, including contributing to press interviews. By participating, artists grant Delamore the right to photograph them and their artwork during the event for future marketing, promotional, and social media purposes. Artists may verbally promote their practice and hand out business cards to audiences. You may also display sketchbooks or examples of your practice to help illustrate your process. To prevent litter and maintain the visual aesthetic of the grounds, flyers, unauthorized banners, and independent signage are strictly prohibited. 4. Logistics and Liability Delamore staff will be on hand to assist throughout the day, but you may request free entry for a support volunteer to assist you. Unfortunately, we cannot provide lunch for support volunteers. Reasonable travel expenses are determined at the discretion of the organiser. Delamore accepts no liability for loss, theft, or damage to any artwork, equipment, or personal belongings, nor for any personal injury sustained during the event. Artists participate at their own risk. Artists will be asked to confirm in writing that they hold all relevant public liability insurance for delivering this type of activity (we recommend https://www.a-n.co.uk/ ). Failure to comply with any of the above rules, terms, or reasonable requests from Delamore staff may result in termination of your contract.

Artizan Women’s Open Image from the preview of the Artizan Women's Open 2024 The narrative for women in the arts over the past twelve months arguably has seen some stark dualities. 2025 was a year of historic breakthroughs. An auction milestone was reached in May 2024 as Leonora Carrington’s Les Distractions de Dagobert  fetched $28.5 million at Sotheby’s - a record for a British-born woman artist and a market validation of female Surrealism – and this momentum was also seen in private spheres, with the Art Basel & UBS Survey of Global Collecting 2025  reporting that work by women reached a seven-year high of 44% within the portfolios of high-net-worth collectors. However, while the market celebrated historical figures, contemporary institutional progress remains slow. The National Museum of Women in the Arts (NMWA) continues to highlight this, reminding us that globally, only 13.7% of artists represented by major galleries are women - a figure that has barely moved despite a year of high-profile "inclusion" initiatives. This plateau is risks being reenforced by technology. New research shows a significant bias in generative AI, finding that for neutral prompts such as "a portrait of a great artist," models defaulted to male-coded imagery over 80% of the time. This digital erasure was met in early 2025 by the viral "Invisible Woman" campaign, highlighting how the male gaze is being baked into the future of creative technology, restricting women to passive roles as "muses" rather than creators. Data from the Burns Halperin Report audits continue to inform todays conversation, revealing that progress has entered a period of fatigue. In major museums, works by women still account for just 11% of acquisitions, and programming for women appeared to be slipping back into the safer territory of group shows, rather than the career-defining solo exhibitions required for true parity. Perhaps most telling was the 2025 "Artists Speak" report from SMU DataArts. The report identified a persistent maternal wall and a significant disparity in unpaid labour, revealing that women artists are still disproportionately burdened by administrative and domestic tasks that fragment creative time. We see a world where women are increasingly "visible" in the news, yet still economically, digitally, and spatially squeezed in the studio and the gallery.   The Return of the Women’s Open The Artizan Women’s Open returns for 2026 to keep this narrative open. Three years of incredible support has shown us that our artists and audiences want to have this conversation as much as we do. For 2026, we are evolving. Whilst maintaining our traditional, high-standard Open Call for those who wish to lead with the work alone, we’re also introducing new, thematic entries for those who wish to explicitly address some of the key barriers faced within the industry. We hope this will provide space for everyone to contribute to the conversation and also allow us to expand the exhibitions potential to bring awareness of critical narratives for women artists. Your contribution is vital to this record.   Submission Models for 2026 You may submit works within any of the following four categories (mixing between categories is allowed). These categories allow you to contextualise your work on your own terms; they do not change the fundamental standard of the exhibition but rather expand how we talk about the work on the walls. You can submit under multiple categories up to a maximum of 6 works. Advice to Applicants The nature of this diversified call means there are a lot of moving parts. We advise reading through the various options and consider submitting to a maximum of two themes. Once you know what categories you want to submit under, check the submission notes and sizes carefully, and make sure you have all the information for your submission to hand (work titles, dimensions, images etc. as well as any special fields). And if in doubt, talk to us. 01. THE OPEN CALL (Standard Entry) This remains our traditional entry model. It is designed for artists who wish to engage with the exhibition as they always have: by submitting their best work to be judged on its own merits, free from a thematic lens, celebrating the autonomy and excellence of women artists. Notes: This is a commercial category, works are submitted for sale. This category is for completed works in any media. You can submit up to the submission limit of 6 works under this category. Sizes: 2D Single has a maximum dimension of 75cm in any direction (i.e. 1 of your 6 entries) 2D Double has a maximum dimension of 100cm in any direction (i.e. 2 of your 6 entries) 3D Single has a maximum dimension of 75cm in any direction 3D Double has a maximum dimension of 120cm in any direction 02. BARRIERS (The Social Invoice) The BARRIERS  category looks to share an audit of the creative “cost”, inviting artists to submit finished works alongside testimony of the work that went into creating them. Most gallery visitors only see the finished piece. They don’t see the "hidden" side of being an artist: the late nights, the unpaid admin, or the struggle to balance work with family life. In 2025, research showed that the arts sector often relies on "passion exploitation," where artists are expected to work for free just to keep their careers going. To reveal this "invisible labour" we’re asking you to submit its "Social Invoice," which will be presented as a physical thermal receipt to visualize the hidden paper trail of creation. This invoice functions as the exhibition label for the work, not just displaying the title medium and price, but also itemising the "ghost hours" and systemic costs - such as passion exploitation, unpaid administrative time, or caregiving duties - that are traditionally erased by the gallery’s white walls. The specific format of the invoice remains entirely up to the artist; they may choose to list precise financial costs, total hours sacrificed, or simply a descriptive ledger of the domestic and professional barriers they navigated. Each individual work submission will consist of: A ready to display artwork The social invoice for that work Notes: This is a commercial category, works can be submitted for sale or not for sale. This category is for completed works in any media. We recommend submitting a maximum of 2 works under this theme. You may submit additional works under another theme. Your “social invoice” is a text only submission but other than this is not prescriptive and can include any information you want to attach to the labour involved in creating your work. You may wish to give items a time cost (e.g. The "Late Fee": Waiting 3 months for a previous client to pay me so I could buy materials - 90 Days of Stress) a monetary cost (e.g. The “Boomerang Fee”: Courier charges to return unsold work from another exhibition - £50.00) or something else entirely. Sizes: 2D Single has a maximum dimension of 75cm in any direction (i.e. 1 of your 6 entries) 2D Double has a maximum dimension of 100cm in any direction (i.e. 2 of your 6 entries) 3D Single has a maximum dimension of 75cm in any direction 3D Double has a maximum dimension of 120cm in any direction 03. THE 13% THRESHOLD (Spatial Presence) For those whose work demands significant physical or conceptual space, this category responds to the fact that major gallery representation of women has held stubbornly at a low 13.7%. We invite works that intentionally challenge this limit through their refusal to be squeezed, either in their scale or the power of their concepts. We’ll be dedicating 13% of the gallery space to the display of works in this category. Each individual work submission will consist of: A ready to display artwork A brief description of the works physical or metaphorical scale Display instructions Notes: This is a commercial category, works can be submitted for sale or not for sale. This category is for completed works in any media. A maximum of 1 work can be submitted in this category. You may submit additional works under another theme. Please provide detailed display instructions and consider emailing supporting images. Due to the deliberate choice to limit the gallery space available for these works only a small number of works will be selected in this theme. Sizes There are no size limits on this submission but you should consider the scale of the venue when submitting your work. 04. UNFINISHED (The Archive of Stolen Time) This category acknowledges that for many women, creative output is often a series of fragments of “stolen time” reclaimed from lifes other pressures. In 2025, research showed that 72% of arts workers suffered from high stress and burnout, and many have reached a crisis point where they considered leaving the arts entirely. We want to move away from the idea that only "finished" work has value. This category is a monument to the work that remains unmade because life got in the way. We are creating an archive of the "unfinished" to show exactly what the arts sector loses when its people aren't supported. Each individual work submission will consist of: An unfinished artwork A timestamp for when the work was paused (this can be estimated but is ideally a full date) Details of how the work is to be displayed Notes: Works can be displayed as “not for sale” or  “sold as seen” or as “pre-order” “Sold as Seen” works are displayed for sale in the raw incomplete state “Pre-order” works are displayed as concepts for final pieces. Sales details provided should be for the final work, effectively taking payment in advance for the completed piece. Work displayed on this basis demonstrate commitment to produce the final work within a reasonable timeframe if commissioned. This category is for incomplete works in any media. We recommend submitting a maximum of 2 works under this theme. You may submit additional works under another theme. You should provide detail of how your incomplete work is to be displayed and may be required to provide any special fixtures to facilitate this. Sizes 2D Single has a maximum dimension of 75cm in any direction (i.e. 1 of your 6 entries) 2D Double has a maximum dimension of 100cm in any direction (i.e. 2 of your 6 entries) 3D Single has a maximum dimension of 75cm in any direction 3D Double has a maximum dimension of 120cm in any direction THE BACKLOG PROJECT (Male Solidarity) We invite male-identifying artists to support this year’s exhibition through the backlog project. The Contribution:  Male artists pay a submission fee and deliver a work. The Reality:  The work remains completely packaged and unopened on the gallery floor for the duration of the show removing its commercial potential. The Impact:  Proceeds from these fees will fund a Curation Fee for a woman artist, commissioned to arrange these "unseen" packages in the space as an installation. Notes: This is a non-commercial submission. This is a symbolic contribution that enables participation, the male artist will receive no remuneration or recognition for their part in the show. The installation as a whole will be recognised as the work of the commissioned woman artist. Value For Every Artist Whilst we can’t remove submission fees from our model at this time, we believe in ensuring value for artists who support us through their applications to work with us. To ensure our process builds visibility for all, every applicant - regardless of the final curation - will receive: The AWO Commonplace Book (Optional Opt-In): Historically excluded from formal higher education and professional institutions, women utilised commonplace books as vital intellectual "workspaces" to construct authoritative identities and engage with culture from the domestic realm. These compilations allowed women to transcend traditional gender roles by merging household management with scientific observation, literary composition, and political critique, bridging the gap between private life and the public sphere. As a nod to these texts, we’re creating “The AWO Commonplace Book”. You may optionally complete a professional profile and mini-interview to be included in this document, a digital resource to be shared with all applicants to help you discover and connect with your peers. IWD Spotlights: Profiles from The Commonplace Book  will be used for our International Women’s Day (IWD) campaign, featuring artist spotlights on our public channels throughout the exhibition. Submissions received before IWD will be used as part of our social campaign for this event. IWD Networking Event: All artists who submit before International Women’s Day will receive an invitation to our IWD event. The 2025 Industry Briefing: A curated report gathering some of the critical 2025 moments. This report will exclusively be available to applicants to AWO 2026. Make A Submission Submissions are now solely being taken through our internal platform or via our exhibition access support. You can make a submission at www.art-hub.co.uk/submissions If you are not able to use this system for any reason, please email submissions@artizangallery.co.uk and we'll endeavour to support an alternative application method. Please remember we are a small team, and therefore access support requests should be made well in advance of the opportunity deadline to best enable us to assist. Fees Standard Entry - £35.00 Discretionary Entry - We welcome you to self-assess that you qualify for a reduced entry fee if it helps you to participate in the exhibition - £20.00 Commission on sales 35% Key Dates and Links International Women's Day Event: TBC within 6th - 8th March Call Deadline: 5th March Confirmations: 6th March Delivery of Works: 6th March - 15th March Exhibition Setup: 16th - 20th March Exhibition Launch: 21st March Exhibition Dates: 22nd March - 26th April Exhibition Page: www.art-hub.co.uk/ex/awo25 Submission Page: www.art-hub.co.uk/submissions Application Support: submissions@artizangallery.co.uk Terms and Conditions: http://www.art-hub.co.uk/exhibitorsterms #Call #awo26 #pinned #ArtizanWomensOpen #ArtizanTorquay #ArtizanCollective

Torre Abbey has announced the acquisition of a major new work by Torbay-based artist James Murch, created during his time as part of the Geopark Artist Residency Programme. The purchase continues Torre Abbey’s history of collecting contemporary art to add to the existing nationally important collection. The acquisition is one of the landmark outcomes of the Torbay Local Heritage Grant Scheme (LHGS), which supported more than 25 small groups, individuals, and organisations to develop innovative projects exploring Torbay’s heritage. Delivered in partnership by Torre Abbey, Artizan Collective CIC, and the English Riviera UNESCO Global Geopark, the residency scheme enabled participating artists to create ambitious new works in response to Torbay’s significant UNESCO designation, that they would not otherwise have been able to realise, embedding fresh creative narratives into the region’s cultural legacy. A Residency with Impact The Geopark Artist Residency Programme offered four artists the opportunity to explore and reinterpret Torbay’s unique natural and cultural landscapes. At Torre Abbey, James Murch produced his Roots and Relics series, an exploration of the tension between heritage conservation and the natural processes of growth, erosion, and reclamation. Speaking on the acquisition, James said: “It’s an incredible honour to have my work become part of a museum collection. As an artist, you hope your work will resonate with people, but knowing it will be preserved, shared, and given a life beyond the studio makes it truly special. To have that happen here carries an even deeper significance. Torre Abbey has been a place of learning and inspiration throughout my residency, and to see this period of creativity culminate in a lasting contribution to its collection is profoundly meaningful.” Following his 2020 residency at Cockington Court, James established his permanent studio there, where the surrounding grounds continue to inform his open-air practice. Manifestation, the sister piece to the work acquired by Torre Abbey, is on display in his studio together with studies and supporting works from the residency. Torre Abbey Statement “We are delighted to welcome James Murch’s Roots and Relics series into the Torre Abbey collection. This acquisition represents a meaningful step in our commitment to supporting contemporary artists and embedding local creative voices into our nationally significant holdings. James’s work offers a powerful reflection on the interplay between heritage and nature, themes that resonate deeply with our site and its history. We are proud to have played a role in enabling this work through the Geopark Artist Residency Programme and look forward to sharing it with our audiences for years to come.” Significance for Torre Abbey The acquisition was made possible by Torbay Council through the Art Object Fund linked to Torre Abbey. This is the first acquisition from the Geopark Artist Residency Programme and marks a pivotal moment in the Abbey’s collecting history. It introduces a contemporary, locally rooted perspective into a collection traditionally known for its historic and Pre-Raphaelite works, expanding the narrative scope of the museum. The acquisition underscores Torre Abbey’s evolving role as both a guardian of heritage and a platform for contemporary cultural expression in Torbay. It reflects the Abbey’s dedication to fostering creative engagement with place and heritage and support of the English Riviera UNESCO Global Geopark. Partner Reflections The acquisition is also being celebrated as an exemplar of partnership working. By combining enabling grants with innovative residency approaches, the programme demonstrated how limited resources can be leveraged to create long-term cultural value. Jacob Brandon, Director of Artizan Collective CIC, commented: “This purchase is not just the addition of a single artwork; it is the embodiment of what can happen when artists are enabled to openly explore their practice in response to place. Through the residency scheme, James and the other artists were able to develop work that speaks directly to Torbay’s layered histories and living heritage. To see that work now preserved within Torre Abbey’s collection is a legacy we are proud to share in.” Nick Powe, Chair of the English Riviera UNESCO Global Geopark said: “Torbay’s UNESCO Geopark designation is founded on the outstanding geological heritage of the English Riviera.  Fundamental to the designation is celebrating how the natural environment is connected to the community, to the people who live and visit the area. This residency is a great example of doing exactly this and we are delighted to be working with James Murch and Torre Abbey on this project.” A Wider Programme of Success The Geopark Artist Residencies formed part of a wider suite of Local Heritage Grant Scheme projects, which together created powerful new narratives around Torbay’s heritage. From experimental exhibitions to community-led initiatives, the scheme has broadened how local history is told, ensuring that Torbay’s diverse stories reach audiences locally and beyond. The acquisition of James Murch’s work cements the residency programme’s legacy, not only in the memory of its exhibitions but within the walls of Torre Abbey itself. James Murch and works Foretelling and Manifestation in the grounds of Torre Abbey/ More Information The Geopark Artist Residency Programme The Geopark Artist Residency Programme was a collaborative initiative of Torre Abbey, Artizan Collective CIC, and the English Riviera UNESCO Global Geopark. It supported four artists to produce new bodies of work interpreting Torbay’s internationally significant heritage, combining studio space, enabling grants, and curated showcases at Torre Abbey and Artizan Collective Gallery. The programme piloted lean, partnership-based commissioning, delivered 150+ days of artist access, public events, and licensed digital collections for long-term Geopark storytelling. Torre Abbey Founded in 1196, Torre Abbey is Torbay’s most historic building complex and one of the best-preserved medieval monasteries in Devon and Cornwall. An accredited museum and Scheduled Ancient Monument, it holds a regionally and nationally important art collection (including Pre-Raphaelite work), significant botanical collections, and a Hartley Clear Span palm house. Recent restoration has focused on safeguarding the site while enhancing public engagement. Artizan Collective CIC Artizan Collective CIC is a Torquay-based social enterprise supporting sustainable creative careers and high-quality cultural experiences for local communities. Operating two galleries and a studio hub, Artizan curates year-round exhibitions, residencies, mentoring and public programmes, and partners across the region to widen access to the arts and nurture talent. The English Riviera UNESCO Global Geopark The English Riviera UNESCO Global Geopark is an internationally recognised landscape telling over 400 million years of Earth history—from tropical seas to Permian deserts—and celebrating the deep connections between geology, biodiversity, people and culture. The designation promotes protection, education and sustainable development while strengthening pride of place. Torbay Local Heritage Grant Scheme (LHGS) The Torbay Local Heritage Grant Scheme, made possible by investment from The National Lottery Heritage Fund, is a Torbay Culture programme to improve access and participation in Torbay’s heritage and to raise awareness of, and celebrate, the area’s UNESCO Global Geopark designation. Running from mid-2023 to late-2025, the scheme offered grants from £500 to £5,000 for activity and up to £7,500 for capital, with three application rounds across 2023–2025. In January 2024, Torbay Council confirmed an additional £12,500 of Council funding alongside the National Lottery support. Programme Funding Credits This Geopark Artist Residency programme was delivered in partnership by Artizan Collective CIC, Torre Abbey, and the English Riviera UNESCO Global Geopark. Funded by the Torbay Local Heritage Grant Scheme through National Lottery Heritage Fund investment, with additional support from the Cultural Assets Fund (administered by the National Heritage Memorial Fund), the Museum Estate and Development Fund (Arts Council England), Torbay Council, and the Friends of Torre Abbey (FOTA).   #JamesMurch #Geopark #EnglishRivieraGeopark #UNESCO #jmac25 #geoparkac25 #geoparkresidencies25 #jm25 #geoparkta25 #geoparkresidencies #geoparkjm24

The Old Workshop Gallery - Delamore Calls 2026 New to Delamore Stableyard Arts Quarter 2026, The Old Workshop Gallery welcomes core Devon arts collectives to have a presence at one of the regions best loved arts events. The opportunity offers your organisation and its members to exhibit and sell work, provide workshops and demonstrations, and promote your work and what you do to Delamore’s loyal audience of collectors in person. Administrative Details This opportunity is managed by Artizan Collective CIC on behalf of Delamore Arts. All enquiries for this opportunity are made to Artizan Collective CIC. Offer The opportunity includes: Week long exclusive occupancy of The Old Workshop Gallery for your organisation to curate and activate to your needs; Curate your own offer to your members to participate; Opportunity to provide workshops, demonstrations and drop-ins; Sell your work and activities commission free; Meet Delamore’s audiences face to face and share your activity; Promotion as part of the Delamore 2026 programme; WiFi and core services available; Optional support taking payments (5% fee applied). What we’re looking for A strong proposal will demonstrate that you will showcase your organisation and its members to a high standard and offer a mix of activity for audiences to engage with (i.e. buying and viewing work, meeting artists, taking part). It would be useful for us to know how you will engage your individual members in participating and what opportunities you plan to offer them. Ultimately, we want to see that all parties are enriched by the experience, your organisation, your members, and Delamore’s audience. Important requirements to note: You are responsible for all communication with your members about how you manage your occupancy and shape the opportunity with them. We can manage this for anadditional fee ; You are responsible for managing the stewarding of your space and you are required to have your space open to Delamore’s audiences for the entirety of your booked period during their opening hours (10:30-4:30 daily); You are responsible for setting and curating your space and whilst some display equipment is available it is your responsibility to ensure you have everything you need; You must hold sufficient public liability insurance and we recommend all your participating artists also have their own exhibitions insurance as their work is displayed at their own liability unless you choose otherwise to indemnify them. Workshops, Demonstrations and Drop-ins Demonstrations of creative practice have proven really popular with Delamore audiences. We trialled workshops for the first time in 2025 with moderate success, but found drop-ins, with a low fee and no requirement to pre-book, were really popular. You are welcome to offer pre-booked workshops, and we will support your marketing efforts by sharing any posts you tag us in, but these are largely delivered at your own discretion and our recommendation based on 2025 is that drop-ins and demos are more suited to this setting. Where you do choose to offer pre-booked workshops, you should note that all participants are required to pay entry to Delamore, and your workshop should therefore include time in its schedule for participants to explore the rest of the events offer. Fees There is a £600.00 fee for the space which entitles you to exclusive use for a 1-week period with 0% commission fees. There is no application fee for this opportunity. Dates Set up day for all bookings is Monday and in some circumstances, we may be able to receive items the Sunday evening prior to your booking. You are welcome to open on the Monday if you are ready but otherwise slots are considered to be Tuesday-Sunday. The four available date blocks (inclusive of setup day) are as follows: 4 th  – 10 th  May 11 th  – 17 th  May 18 th  – 24 th  May 25 th  – 31 st  May The Space The Old Workshop Gallery is a well-lit, white stone walled, cobble floored space, with large rolling door opening up onto the main arts courtyard. It comes equipped with a Stas Cliprail hanging system and plenty of wires and hooks for the display of hanging work, and a range of tables, plinths, easels and other display equipment, though we recommend bringing your own display resources as well to enable you to properly plan your display. By nature, the cobbled floor us uneven, so a stockpile of packing and blocks will be provided for levelling and stabilising of all surfaces. There is a sink in the space to support workshops, and a covered entrance awning will be in place for added protection in the case of inclement weather. Stewards will have access to restrooms, small kitchen and WiFi. Food is also available from the onsite café. The space is fully securable allowing displays to be left overnight and stay up for the duration of the week. The space is welcoming, bright and spacious, but should not be considered, a “white box” gallery space. Viewings will be available in January/February. Applications Applications can be made to juliebrandon@artizangallery.co.uk by sending the below: Full contact details for lead applicant A link to your organisation’s website Your preferred date block Maximum 1 page summary of your proposed use of the space to include as a minimum: How you will use the space How you will offer the opportunity to your members What activity you will deliver (e.g. exhibition, workshops, demonstrations) Invitations We will solicit applications from known organisations. If you represent a group and wish to be invited to make an application, please send details of your work and membership to juliebrandon@artizangallery.co.uk

The Courtyard Shop - Delamore Calls 2026 New to Delamore Stableyard Arts Quarter 2026, the Courtyard Shop will showcase high quality arts products from Devon artists, artisans and makers. Think original textiles, wearable art, functional items, stationery, and quality artist materials. The shop will offer a new buying experience at Delamore, in line with the events reputation for high quality arts. Administrative Details This opportunity is managed by Artizan Collective CIC on behalf of Delamore Arts. All enquiries for this opportunity are made to Artizan Collective CIC. What we’re looking for We’re open to approaches from any artist who thinks they may have something that fits with this brief. Importantly, we will be looking for “stockable” items e.g. 10 handmade art books The below list of examples is for guidance only. Original greetings cards Handmade art books Original stationery High quality zines and art books Handmade decorations such as mobiles and hanging items Tableware such as paperweights, serviettes, candleholders Wearable art such as handmade clothes, accessories Handmade functional items and homewares such as lampshades, cushions, lighting Artist materials and supplies such as handmade brushes, yarns, inks, or art kits Ceramics As we have the Kiln Room as a separate dedicated exhibition space, we will only accept ceramics to the Courtyard Shop where there is a specific justification to do so. We welcome enquiries but will consider these on a case-by-case basis. Merchandise We consider “merchandise” to be any reproduction item. Examples may include printed greetings cards, digitally produced tote bags or other homewares. Whilst these are not explicitly excluded, our focus is on original handmade items, and anything considered to fall into this category will have to meet high quality standards. Exception for Digital Artists In the case of digital art where the above reproduction methods are inherent in making the work physical, this will not be considered merchandising but quality standards will still be expected. Sales Terms If successful, we will invite you to consign an agreed volume of stock to us for the entire period of Delamore 2026 on a sale or return basis. A commission of 40% will be taken on all sales. Expressions of Interest If you are interested in showing in the Courtyard Shop you should submit an Expression of Interest to juliebrandon@artizangallery.co.uk with the following information: Clear examples of any items you wish to supply with images and descriptions (e.g. “Hand carved wooden napkin rings with a range of designs, sold individually or as sets”) Clear details of volume available with description of whether items are “identical” or “variable” (e.g. “10 pairs of round earrings with unique motifs) Prices inclusive of commission Link to website or social media where we can find out more about you and your work Any additional relevant information to enable us to review your submission We will consider enquiries on a rolling basis until one month before the event but may close applications before this time if we feel we have sufficient work.

Call for Artists: Wellswood Village Christmas Street Fayre (Thu 11 December, 4–9pm) We’re pleased to once again be working with Wellswood Community Partnership to develop a Christmas creative offer as part of their annual festive Street Fayre! This will be our third year, and once again we’re able to welcome 4-5 artists to our dedicated cluster opposite Mrs Jones Deli.   Event Snapshot -        Date & time:  Thu 11 December, 4–9pm -        Location:  Wellswood Village, Torquay (street closed Kents Pub → Flower Corner) -        Organiser:  Wellswood Community Partnership (WCP) -        Format:  Outdoor evening street fayre; each artist has their own stall/pitch   Your Offer This is only the third year that the fayre has had a commercial gift offer. Based on previous years, we would recommend applying if any of the below applies to you: -        Strong, gift friendly work , potentially including greetings cards or workshop vouchers -        Artwork Price Range up to £60 -        Able to offer free or low cost (under £12) drop-in activity  (e.g. card making)   What You’ll Need -        Your own display kit and weather-safe 3×3m gazebo  (or similar), with adequate  weights  (no stakes). -        Significant battery operated lighting (no mains power available and this is an outdoor, after dark event). -        Float/card reader; packaging; signage; any materials for your activity. -        Public Liability Insurance  (min. £5m recommended) and a simple  risk assessment  for your activity/stall.   Fees and Donation -        The organiser (WCP) requests a  £25 voluntary contribution  towards event costs. -        If selected, we may pass this £25 on at cost (i.e., paid by each participating artist to help stage the event). We’ll confirm once places are allocated.   Applications Please submit the below to juliebrandon@artizangallery.co.uk : 1.      5 images  of your work (and 1 of your stall if available). 2.      Short description  of your planned drop-in activity, if providing (what, duration, participant price ≤ £12). 3.      Price range  for works you’ll bring (aiming mainly ≤ £60). 4.      Stall footprint  (gazebo size) and any access needs. 5.      Confirmation you hold  PLI  (or will arrange it) and can provide a simple  risk assessment . Notifications:  We’ll confirm selections no later than  December 1st . Set-up/arrival:  From  TBC—likely 2–3pm ; full details issued to selected artists. Weather:  This is an  outdoor winter event ; ensure your stall is secure, weighted, and weather-ready. #Pinned #Call #CallForArtists #WellswoodChristmasMarket #ArtizanTorquay

English Riviera Winter Open Our annual Winter Open is back and we're looking forward to Christmas on the English Riviera as we celebrate 6 years at our High Street Venue and plan for 2026 As ever, our Winter Open marks a joyful close to the year - bringing together exceptional original art, festive cheer, and a warm welcome for both visitors and locals. This much-loved exhibition has become a fixture of the season, a trusted stop on the Christmas shopping trail for art lovers across the Bay. Something for our visitors and participating artists: Preview Prize Draw: One lucky attendee to the artist preview launch event will receive a £150.00 voucher to spend at the exhibition, and we'll be offering additional incentives to our newsletter subscribers throughout the exhibition. £250.00 English Riviera Open Award for Artists! This award is selected by a guest judge for their favourite work in the show, and this year that artist will walk away with a £250.00 cash prize. About the Exhibition If you've exhibited in our open exhibitions before you know the drill, but for newcomers our annual, seasonal opens are the biggest, and most ambitious visual arts showcases in South Devon, as we turn the walls of our High Street gallery into a tapestry of original art from creatives all over the country. The exhibition is selective but open to all, with our values for the showcase being: Diversity and Variety  - we take a range of traditional and contemporary practice, selecting works that result in a showcase rich in media, subject and style; Originality and Innovation  - this isn't an exhibition that just "plays it safe", we love traditional work, but equally we want to share work with audiences that they may not find anywhere else; Quality and Talent  - we select the best to create a showcase for our audience where they can guarantee they'll be taking away collectible, original work that can't be found anywhere else. All proceeds from sales support our work and we will be sharing updates of plans and projects for 2026 during the exhibition. There are some exciting times ahead as art and culture in the Bay continues to thrive. Submission Deadline:  26th October, Midnight We can’t wait to see your submissions! Key Dates: Deadline for Entries:  26th October, Midday Confirmation of Entries: 27th October, Midnight Start Date: 9th November, 11am End Date:  24th December, 1 pm Launch Date: 8th November, 18:00-20:00 Delivery Deadline: 2nd November, 16:00 (delivery bookable from 28th October – 2nd November) Hang Week: 3rd - 8th November (artists are not required but should be prepared to receive work queries during this period) Fees: Multi Submission Entry: £35.00 (Reduced to £25.00 until 16th October) Single Submission Entry: £15:00 Submissions: This year, we're trialling our own submission system for the first time, a new approach that will help us manage all aspects of how we promote and manage the exhibitions we host. As this is a new approach, there may be some teething problems we still have to overcome, so we're offering everyone who submits in the first week a £10 discount on their fee, just in case something goes wrong. Just make sure to pick the "early bird" payment link after you complete your form. (This offer is only available on multi-submission entries) Key Links: Exhibitors Terms: www.art-hub.co.uk/exhibitorsterms   Submission Enquiries: juliebrandon@artizangallery.co.uk Supply Images: imagesubmission@artizangallery.co.uk   #Calls #Pinned

Delamore 2026 All our calls and opportunities as part of our work with Delamore Arts 2026 in one place! Maker Takeovers 2026 Artizan Collective is seeking applications from artists and makers to take on Maker Takeover spaces in The Stalls as part of Delamore Arts 2026. “After a successful first year in 2025 we’re looking forward to revisiting what we anticipate will be a popular feature of Delamore Arts 2026, both for artists and audiences. The Maker Takeovers are a great opportunity to sell direct to Delamore’s regular annual collectors, who value the chance to meet artists and makers face to face to hear about their practice.” Julie Brandon, Director Artizan Collective This is a selective call to which we are inviting applications. Deadline: 1st December https://www.art-hub.co.uk/post/maker-takeovers-26 Contemporary British Printmakers Artizan Collective are seeking printmakers to join them for the third year of Contemporary British Printmakers 2026, a touring exhibition hosted at Delamore Arts as part of their annual sculpture and arts showcase. This is a selective call that will appoint a maximum of 25 artists who represent a broad spectrum of the printmaking practice. Deadline: 15th December https://www.art-hub.co.uk/post/cbp26 The Kiln Room Artizan Collective are seeking potters, ceramicists and those with clay-based proclivities to join them in “The Kiln Room” trialled successfully as part of Delamore Arts 2025 and returning for a second year in 2026 This is a selective call. Deadline: 15th December https://www.art-hub.co.uk/post/tkr26 #pinned #makertakeovers26 #thekilnroom26 #contemporarybritishprintmakers26 #cbp26 #tkr26 #mt26 #ArtizanTorquay #Delamore #Delamore26 #DelamoreArts #Calls #Call #Opportunities

Delamore Arts X Artizan Collective Page Navigation (expand to jump to a section of this call) Maker Takeovers 2026 Overview Offer The Space Marketing Audience Process Key Dates Fees Submission Forms Terms and Conditions Other Calls Call for Makers, Artists and Artisans: Maker Takeovers 2026 Artizan Collective is seeking applications from artists and makers to take on Maker Takeover spaces in The Stalls as part of Delamore Arts 2026. “After a successful first year in 2025 we’re looking forward to revisiting what we anticipate will be a popular feature of Delamore Arts 2026, both for artists and audiences. The Maker Takeovers are a great opportunity to sell direct to Delamore’s regular annual collectors, who value the chance to meet artists and makers face to face to hear about their practice.” Julie Brandon, Director Artizan Collective This is a selective call to which we are inviting applications. Overview Delamore Delamore arts is an annual month-long exhibition that has been running successfully for just over 20 years. It attracts artists and visitors from across the UK with all works selected by a panel of judges to ensure and maintain a high standard of work. Whilst its focus initially was on sculptural works that are placed within the grounds and the house, 2D works have become an important part of the offer and adorn the walls in the main house salon style to compliment a supporting collection of interior 3D works. Delamore regularly sees repeat visitors for whom this event is part of their arts calendar and many of those visitors come with the intent to buy. There is a café on site so most visitors will spend several hours and fully explore all that is on offer. Proceeds from the exhibition support a designated charity that is selected each year by Delamore. Artizan For the month of May, we move to Delamore Estate and support this fantastic annual showcase with our own curated offer. Contemporary British Printmakers and The Kiln Room provide two unique exhibition additions, with demonstrations, drop-in activities and the Maker Takeovers, creating a lively and engaging programme. Offer This year the model will remain largely the same but we’re adding more flexibility for booking spaces. The opportunity offers fair style stands for individual makers and artists to take on for mid-week and weekend blocks. Each stall is self-contained and can be setup with your own exhibition and display equipment, with electricity provided and general lighting of the block. Summary Participation in exclusive “micro” maker fair Self-contained stalls in a unique setting Opportunity to be a part of one of Devon’s best loved arts events with 6000+ visitors annually Ability to take your own sales with 0 commission fees Option to deliver demonstrations and produce work from the stalls Full on-site facilities including kitchen, café serving light lunches and refreshments, toilets, stall electricity and WiFi Promotion through Delamore Arts and Artizan Collective channels including on the Delamore Arts website Support to take payments if required at a low 5% rate Example Applicants This opportunity is open to artists and makers of any practice. Below is a list of some groups we feel it would be suitable for, but this should not preclude individuals outside of this from applying: Textile artists Photographers and digital artists Designers and illustrators Ceramicists and potters Sculptors Glass and mosaic artists Garment producers Traditional crafts people Painters Group Bookings Each standard stall is suitable for one artist with the larger stall having the potential to be shared by a duo or small group. We will consider enquiries for groups of artists wanting to book the whole space with a discount applied. The Space Part of the old stable courtyard, The Stalls, once a stable, has been sensitively adapted to retain its original charm whilst creating 4 functional pods in the original stalls. The room still features original metal work, panelling and stone floor with large wood burner that will keep participants and audiences toasty during their visits. The stall pods all have electricity supplies and a hanging system for display setup, with additional lighting installed to make this a bright and welcoming space. The original cobble floor is uneven and we’ll be providing supplies of wood packing to assist with levelling installs. Space details include: 3 standard (1.9x2.7m) and 1 large (3.3x5m) self-contained stall spaces Hanging system for display 2D work Functional space with unique charm Housed within the new Arts Courtyard alongside two exhibition spaces, a dedicated workshop space, and outdoor creative activity in the courtyard Electricity and Wi-Fi Easy vehicle access for setup, loading and unloading and nearby parking Bev Knowlden and Ann Chester King share the large stall at Delamore Arts 2025 Marketing Online The Stalls Calendar will have a dedicated online hub within our own website with all participants getting a profile where they can share additional works for sale and opportunities they may be offering. The calendar will also all be listed on the Delamore Arts website. A programme of visiting makers will also be listed across various online promotional platforms including Facebook Events and Visual Arts South West. Other Promotion Supporting flyering, and extensive event listings, press inclusions and paid advertising are carried out by Delamore, and its long-running pedigree guarantees returning audiences. Artizan will support these efforts with its own campaign promoting their attendance and inclusion in this year’s event. Audience Delamore attracts an audience in excess of 6,000 annually with a consistent record for high sales both from the sculpture trail and supporting exhibitions. In continuing to evolve the event and promoting the new offers such as this, they show their commitment to growing audiences. With the highly selective nature of the Delamore offer, we feel that this is a unique opportunity to reach their audience. Process Applications must be completed and submitted via any of our preferred platforms no later than the deadline below. We will select from these with the aim to create a diverse programme across the whole month of Delamore Arts. We’ll be taking an initial round of enquiries for set blocks and once these are confirmed, any remaining dates will be offered on a flexible basis with single- and two-day bookings available. There is a £7.50 administration fee on applications which will be deducted from your booking fee if you are successful. Proposals will need to include: Your Name Contact Email Contact Phone Address (be that your studio or home address) A website link/social media showing representative examples of your work and practice A brief description of your work and practice or supporting artist statement Price range of your work Dates of interest Agreement to terms and other confirmations Key Dates: Delamore Dates: 1 st  – 31 st May Deadline for First Round Entries:  1 st December Publication of Remaining Dates: 5 th December Fees If successful booking blocks range from £60-£260. 5% discount when booked as one of our blocks. No commission is taken on sales. There is a £7.50 administration fee on applications which will be deducted from your booking fee if you are successful.   Please make your fee payment at the below link once you have made your submission: https://pay.sumup.com/b2c/QONM6ZKF   Submission Forms: Word Document (fillable): Download a copy of the form here and email it to juliebrandon@artizangallery.co.uk https://1drv.ms/w/c/e324e4197c111288/ERReK_foIj9PhqP27A4Y7WoBui5R9Ij48_0_u7YWbv4zpA?e=1m8m39 PDF (printable/readable): Download a copy of the form here and either print, fill and post to Artizan, 7 Lucius St, Torquay, TQ2 5UW OR print, fill, scan and email to juliebrandon@artizangallery.co.uk OR use as a reference to submit the required information in the body of an email to juliebrandon@artizangallery.co.uk https://1drv.ms/b/c/e324e4197c111288/EbCjIkUCSaVHszP6JAzvCOgBmYxCrwpU-K_OU3KnciHe7w?e=1pIsyN Google Forms (fillable): Use this fillable web form to submit your application. You do not need a Google or Gmail account to complete this form, but if you have one, we recommend signing in to enable Google to save your progress. https://forms.gle/D2zm1h4JhsNAuMig6 Curatorspace: This is a third party platform dedicate to supporting artist calls and opportunities. You need an account with them to submit via this platform. https://www.curatorspace.com/opportunities/detail/maker-takeovers-call-for-artists-delamore-arts--x-artizan-collective/9727 Terms and Additional Notes Presentation and Standards Event hours are 10:30 – 4:30 daily with Setup on the first day of each slot is from 8:30 Pack down on the final day of each slot must not start before the close of the event and is ideally completed no later than 6:30 All stallholders are required to fully steward their stall throughout their slot The stallholder must be the maker of the works being sold and we will not accept applications from individuals selling on behalf of other makers All stallholders are required to support each other in the delivery of the event with regards to collective security, enabling comfort breaks and any other reasonably expected assistance Promotion Activity will be promoted via Artizan Collective’s and Delamore Arts’ networks and platforms Artist participants are also expected to proactively promote the activity through their own channels and will be provided with materials to support this Insurance, Risk Assessments and Security All participants must be able to present details of all necessary insurances for the provision of their stall including but not limited to Public Liability Insurance Participants may also need to provide risk assessments for additional activity they propose delivering at the discretion of the organiser The site is secure overnight and stalls can be left in-situ through the course of the event, but participants are fully responsible for the insurance of their goods Artizan Collective CIC and Delamore Arts are not liable for any goods or belongings lost through theft, damage or other incident It is recommended that cash or any items such as payment systems or portable technology items such as tablets are taken off site each day Point of Contact and Decision Making Artizan Collective CIC are delivering this programme on behalf of Delamore Arts and are the sole point of contact unless other arrangements are made by them All decisions relating to your activity will be made by Artizan Collective CIC who will engage Delamore Arts representatives as required All decisions made by Artizan Collective CIC in relation to delivery are final Deadlines and Provision of Information All workshop details including supporting images will be required no later than January 30th Cancellation In the event of cancellation by the applicant all deposits and payments are non-refundable. Artizan Collective CIC and Delamore Arts reserve the right to retrospectively revoke an offer where it is felt any action or activity of the delivery partner may bring either organisation into disrepute or otherwise cause reputational damage, or where the partners activity is seen to conflict with the ethos of either organisation. Any decisions in this regard are final. Promotion Artizan Collective CIC produces promotional materials for use online, on social media, in email newsletters, and in print publications.  Exhibiting artists are expected to participate in actively promoting the exhibition alongside these promotional activities. Artizan Collective CIC retains the rights to any and all promotional materials produced for the exhibition, and will retain creative control of the layout, content, and design of all promotional materials.  Draft copies of promotional materials may be sent to you (with the publishing deadline clearly visible) for proofreading and fact-checking purposes only, and any inaccuracies must be reported to Artizan Collective CIC before the publishing deadline.  Artizan Collective CIC does not accept responsibility for any inaccuracies that are not reported before the publishing deadline. Online Shop Artizan Collective CIC maintains contact with long-distance clients via email newsletters and other online platforms.  Works exhibited will be marketed to interested collectors via email and also put up for sale in the online shop at the same price as in the exhibition on a dedicated exhibition page. This dedicated exhibition page will remain as an archive of the exhibition for the lifetime of the site. Artizan Social Media Accounts Artizan Collective CIC expects artists exhibiting at the gallery to tag our social media accounts in any promotional posts for the exhibition, and to share any promotional posts produced by the gallery for the exhibition.  Please make sure you have liked or followed any of the appropriate accounts prior to the start of your exhibition.  Social media account details are: Facebook: /artizangallery Twitter: @ArtizanGallery Instagram: @ArtizanGallery Youtube: /c/ArtizangalleryUk Website Artizan Collective CIC has the use of two websites, Artizan Gallery ( artizangallery.co.uk ) and a sister site Arthub ( art-hub.co.uk ).  All programme content will be hosted on a dedicated page on the Arthub site for the lifetime of the site and this will be the main point of contact for information. Artizan Collective CIC carries out extensive written, photographic and film documentation of all exhibitions. Delamore Arts website is: https://www.delamore-art.co.uk/ Sponsors Exhibition partners and sponsors often support the work of Artizan Collective CIC, and their details will be promoted throughout the exhibition. Artizan Collective CIC is grateful to the businesses who recognise the value of local arts and culture through this support and encourages all participating artists to help demonstrate this gratitude in any of their associated social media and promotional efforts. Photography All applicants understand Artizan Collective CIC aims to keep a record of its activity through photo and video documentation which they will undertake, respecting any wishes of participants who do not want to appear in this Payments Details of fees can be found in the exhibition call. Our preferred payment method is via the payment link or by BACS Artizan Collective CIC Bank: NatWest | Account: Artizan Collective CIC | Account Number: 74950010 | Sort Code: 557001 Payment schedules are on the following basis: A 50% deposit will be due within 30 days of your application success being confirmed Any remaining fees will be due no later than April 1 st   Contact Details Please ensure you provide up to date contact details when submitting your application including at least one phone number, email address and postal address. Artizan Collective CIC Julie Brandon Email: juliebrandon@artizangallery.co.uk Phone: 01803 428626 Mobile: 07522 509642 Jacob Brandon Email: jacobbrandon@artizangallery.co.uk Mobile 2: 07762 9211571 C/O Artizan Gallery 7 Lucius Street Torquay TQ2 5UW Other Calls  There are more opportunities to take part at Delamore Arts 2026 with us in the Sable Arts Quarter. The Kiln Room Artizan Collective are seeking potters, ceramicists and those with clay-based proclivities to join them in “The Kiln Room” trialled successfully as part of Delamore Arts 2025 and returning for a second year in 2026 This is a selective call. Contemporary British Printmakers Artizan Collective are seeking printmakers to join them for the third year of Contemporary British Printmakers 2026, a touring exhibition hosted at Delamore Arts as part of their annual sculpture and arts showcase. This is a selective call that will appoint a maximum of 25 artists who represent a broad spectrum of the printmaking practice. #Pinned #Call #Calls #Delamore26 #cbp26 #ContemporaryBritishPrintmakers26 #DelamoreArts #ArtizanCollective #Printmaking

Delamore Arts X Artizan Collective Page Navigation (expand to jump to a section of this call) The Kiln Room 2025 Call for Artists Overview Offer Exhibiting and Space Marketing Audience Process Key Dates Fees Submission Forms Terms and Conditions Other Calls Contemporary British Printmakers 2026 Call for Artists Artizan Collective are seeking printmakers to join them for the third year of Contemporary British Printmakers 2026, a touring exhibition hosted at Delamore Arts as part of their annual sculpture and arts showcase. This is a selective call that will appoint a maximum of 25 artists who represent a broad spectrum of the printmaking practice. Overview Delamore Delamore arts is an annual month-long exhibition that has been running successfully for just over 20 years. It attracts artists and visitors from across the UK with all works selected by a panel of judges to ensure and maintain a high standard of work. Whilst its focus initially was on sculptural works that are placed within the grounds and the house, 2D works have become an important part of the offer and adorn the walls in the main house salon style to compliment a supporting collection of interior 3D works. Delamore regularly sees repeat visitors for whom this event is part of their arts calendar and many of those visitors come with the intent to buy. There is a café on site so most visitors will spend several hours and fully explore all that is on offer. Proceeds from the exhibition support a designated charity that is selected each year by Delamore. Artizan For the month of May, we move to Delamore Estate and support this fantastic annual showcase with our own curated offer. Contemporary British Printmakers takes over one of the two stable block galleries, a charming white walled stable conversion set in a small courtyard with other neighbouring arts offers. This will be our third year collaborating with Delamore after successful showcases in 2024 and 2025 which introduced audiences to a full spectrum of the medium including everything from mezzotint to mokulito to monotype. Once again, we’ll also be looking to expand the popular programme of demonstrations and “have a go” sessions that we ran. Offer We are offering the opportunity to participate in a fully curated and marketed printmakers exhibition, hosted by Delamore Arts and produced by Artizan Collective CIC. We will be seeking some assistance with stewarding in 2026 for those artists who are located within a reasonable geographical distance of the venue (50 miles). Exceptions may be made, and if you anticipate you may want to opt-out of stewarding you should indicate this on your expression of interest Summary Exhibition of 4 framed works and 3 browser works  at Delamore Sculpture and Arts Trail 2026 Presence in Delamore Collectors Catalogue Profile page on Delamore website Profile page on Artizan website Feature on exhibition hub page Exhibiting and Space Exhibiting Offer Artists are initially asked to submit an expression of interest showcasing their portfolio via their online presence or alternatively via a portfolio document (PDF, video, doc etc.) Successful artists will then be asked to submit up to 6 framed works  (maximum 80x80cm inclusive of framing) for selection from which we commit to select at least 2 to hang  and 2 to hold in reserve  (i.e. provision of 4 framed pieces). Artists will also be able to provide up to 3 browser works  for display which should differ from the 4 selected/reserved works (i.e. 7 unique works in total across framed and browser work). If you primarily produce small/miniature work (less than 30x30cm) we may select up to the full 6 works for display/reserve at our discretion. Across these works, artists will also be able to provide as many editions of the print run as they wish to make available for immediate purchase as part of the event, with Artizan also taking orders up to the maximum number of the edition still available. The Space The space that we’ll be using sits within the Delamore grounds and forms part of the stable block. It is an adapted space, with white walls and original beams, well-lit and characterful. Images of last year’s exhibition are below. Stewarding and Demonstrations Artizan will fully curate the exhibition but for 2026 we are seeking artists who live within a reasonable geographical distance from the venue (50-mile radius) to assist with a day’s stewarding. Exceptions may be made, and if you anticipate you may want to opt-out of stewarding you should indicate this on your expression of interest. All artists are encouraged to attend the launch event. In previous years we ran a handful of demonstrations from participating artists which we would like to expand on. Demonstration days would be in addition to the stewarding days. Marketing Online The exhibition will have a dedicated online hub within our own website, and all artists will also have their own individual presence on the Delamore website. Additionally, every artist will have a dedicated profile created within our exhibition hub where they can list an unlimited number of works to be promoted to the Delamore audience that do not physically appear in the exhibition. All submitted works will be listed on our own dedicated exhibition page. Two images per artists will feature in the Delamore catalogue and on the Delamore website along with a brief artist statement, and a link through to our dedicated exhibition page. Print All artists will be included in the high-quality Delamore souvenir guide with an artist statement and image of their work. Separately, Artizan will produce a small print record of the exhibition for visitors to take away directing them to extended works on offer through the exhibition hub. Other Promotion Supporting flyering, and extensive event listings, press inclusions and paid advertising are carried out by Delamore, and its long-running pedigree guarantees returning audiences. Artizan will support these efforts with its own campaign promoting their attendance and inclusion in this year’s event. Audience Delamore attracts an audience in excess of 6,000 annually with a consistent record for high sales both from the sculpture trail and supporting exhibitions. In continuing to evolve the event and promoting the new offers such as this, they show their commitment to growing audiences. With the highly selective nature of the Delamore offer, we feel that this is a unique opportunity to reach their audience of collectors. We have decided to focus on the medium of printmaking to make our presence there distinctive from the other elements, a valuable addition that we hope will appeal to their audience and allow us to build upon in successive years. Process Expressions of interests must be completed and submitted via any of our preferred platforms no later than the EOI deadline below. These will then be judged, and 25 artists will be selected for the exhibition and invited to make their full submissions. EOIs will need to include: Your Name Contact Email Contact Phone Address (be that your studio or home address) A website/link/social media showcasing your work OR a portfolio in the form of a suitable document format (word, PDF, video) Supporting statement/Artist statement (optional) Confirmation of interest in providing a demonstration (optional) Confirmation of eligibility/availability to steward Agreement to terms Fee payment Full submissions will subsequently include: Details of your 6 framed works AND 3 browser works Title Media Dimensions Price (framed and unframed if applicable) Edition of X AND total editions to be made available Final fee payment Key Dates: Delamore Exhibition Dates: 1 st  – 31 st  May Deadline for Expressions of Interest: 15 th December 2025 Confirmation of Success: 17 th December 2025 Deadline for Full Submission: 14 th January 2026 Confirmation of Selected Works: 16 th January 2026 Delivery of work to Delamore: 6 th – 12th April 2026 (Our preference is that work is delivered directly to Delamore, but we will accept delivery of work to Lucius Street as well) Delivery of work to Artizan Gallery Lucius Street: 9 th  – 11th April 2026 Setup Dates: 13 th  – 17th April 2026 Delamore Launch Date: 26 th  April 2026, 12:00-17:00 Delamore “Sold Works” Collection Date (This is the deadline for providing any additional editions sold that were not initially made available) : 6 th  June 2026 Collection of “Unsold Works” from Delamore: 1 st – 6 th  June (Collection from Artizan will only be available at our discretion) Fees Total Fee:  £50.00 This is made up of a non-refundable £25.00 fee payable to cover your expression of interest, and a further £25.00 if successful. 35% commission based on an agreed commission split with Delamore Arts   Please make your fee payment at the below link once you have made your submission: https://pay.sumup.com/b2c/QRU8H9G6   Submission Forms: Word Document (fillable): Download a copy of the form here and email it to juliebrandon@artizangallery.co.uk https://1drv.ms/w/c/e324e4197c111288/EY8pS6L0LD9ArgatS6_Z4vIBJpRWfUtb1FvYNqb06r2cWA?e=DARjTq PDF (printable/readable): Download a copy of the form here and either print, fill and post to Artizan, 7 Lucius St, Torquay, TQ2 5UW OR print, fill, scan and email to juliebrandon@artizangallery.co.uk OR use as a reference to submit the required information in the body of an email to juliebrandon@artizangallery.co.uk https://1drv.ms/b/c/e324e4197c111288/EdXC30LnFYFOphgzZQuNGvsB5uui_blaQ69YDVSZ6K8qdA?e=GglH1f Google Forms (fillable): Use this fillable web form to submit your application. You do not need a Google or Gmail account to complete this form, but if you have one, we recommend signing in to enable Google to save your progress. https://forms.gle/8g88Xst9gG4NnhT3A Curatorspace: This is a third party platform dedicate to supporting artist calls and opportunities. You need an account with them to submit via this platform. https://www.curatorspace.com/opportunities/detail/contemporary-british-printmakers---artizan-collective-x-delamore-arts/9725 Terms and Additional Notes Presentation and Standards All submissions must be original works in a printmaking media Framed works must be in high quality frames with d-ring fixings on the reverse. Glazed works must be behind glass only NOT Perspex Browser works must be wrapped and mounted Additional editions must be provided in a suitable safe storage vehicle Deliveries/Collections and Participation All deliveries and collections of work to be exhibited will be made to/from Delamore or Artizan Gallery as standard. Any couriered works should be delivered to Delamore. Exceptions to this can be arranged but must be agreed. All work for exhibition must be safely packaged to avoid damage and if you would like your work returned in its original packaging after the exhibition you should label the exterior of the packaging with your name and the title of the work and use non-damaging tape.  If the original packaging cannot be used Artizan Collective CIC will charge for any packaging that we are obliged to provide.  Artizan Collective CIC does not accept any liability for damage to work that has not been delivered safely packaged. Work must be delivered and collected in a timely fashion as per the dates expressed in the details of the exhibition which you have received. Please ensure you are aware of these dates before agreeing to these terms. Any variation from these dates must be agreed with the gallery in advance. Failure to meet these arrangements may result in your work not being exhibited. Any items not collected by the deadline – and where no arrangement for delay has been agreed beforehand – may incur a storage charge of £5 per day. Attendance at the launch event is highly encouraged but not mandatory. Purchases All framed works will remain for the duration of the exhibition in line with Delamore’s collections policy and will be available to collect direct from Delamore, Artizan Gallery (Torquay), or the artists address where permission has been given in advance. All purchases of unframed editions will be available to take from the exhibition immediately. All orders of unframed editions not made available from the exhibition will either be: Shipped by the artist at a flat rate of £10 charged to the buyer (dispatched within one week of payment confirmation from Artizan, UK only. International arrangements made separately.); Made available for collection from Delamore, Artizan Collective Gallery (Torquay) on the agreed collection date; Made available for collection directly from the artist where permission is given in advance. Deadlines and Provision of Materials All scheduled deadlines outlined in the Key Dates section must be met promptly to avoid the risk of not being included in any areas of the exhibition delivery All images must be of sufficient quality for print promotion (300dpi minimum dimensions 1080px) and identified in the following format “brandonjulie-nightsky-oilonboard-42x56cm-200” Promotion Artizan Collective CIC produces promotional materials for use online, on social media, in email newsletters, and in print publications.  Exhibiting artists are expected to participate in actively promoting the exhibition alongside these promotional activities. Artizan Collective CIC retains the rights to any and all promotional materials produced for the exhibition, and will retain creative control of the layout, content, and design of all promotional materials.  Draft copies of promotional materials may be sent to you (with the publishing deadline clearly visible) for proofreading and fact-checking purposes only, and any inaccuracies must be reported to Artizan Collective CIC before the publishing deadline.  Artizan Collective CIC does not accept responsibility for any inaccuracies that are not reported before the publishing deadline. Online Shop Artizan Collective CIC maintains contact with long-distance clients via email newsletters and other online platforms.  Works exhibited will be marketed to interested collectors via email and also put up for sale in the online shop at the same price as in the exhibition on a dedicated exhibition page. This dedicated exhibition page will remain as an archive of the exhibition for the lifetime of the site. Artizan Social Media Accounts Artizan Collective CIC expects artists exhibiting at the gallery to tag our social media accounts in any promotional posts for the exhibition, and to share any promotional posts produced by the gallery for the exhibition.  Please make sure you have liked or followed any of the appropriate accounts prior to the start of your exhibition.  Social media account details are: Facebook: /artizangallery Twitter: @ArtizanGallery Instagram: @ArtizanGallery Youtube: /c/ArtizangalleryUk Website Artizan Collective CIC has the use of two websites, Artizan Gallery ( artizangallery.co.uk ) and a sister site Arthub ( art-hub.co.uk ).  All exhibition content will be hosted on a dedicated page on the Arthub site for the lifetime of the site and this will be the main point of contact for information. Artizan Collective CIC carries out extensive written, photographic and film documentation of all exhibitions which will be found here. Sponsors Exhibition partners and sponsors often support the work of Artizan Collective CIC, and their details will be promoted throughout the exhibition. Artizan Collective CIC is grateful to the businesses who recognise the value of local arts and culture through this support and encourages all participating artists to help demonstrate this gratitude in any of their associated social media and promotional efforts. Photography Where possible Artizan Collective CIC aims to take high quality photographs of all pieces displayed for promotion purposes and may use these images to promote your work or the work of the gallery after the exhibition you are participating in has finished. All images taken of your work by the gallery are the property of the gallery. If you wish to use them for promotion of your work outside of this exhibition high resolution copies suitable for print and web promotion can be made available. Contact Artizan Collective CIC for full details of their photographic services. Film and Video Artizan Collective CIC produces film and video content in relation to their work and exhibitions. As part of this you may be invited to interview in relation to your involvement in the exhibition or your work may appear in footage captured at the exhibition. Provided image material may also be used as part of this video content where it its relevant to the promotion of your work or the exhibition your work is a part of. There is no obligation to directly appear in video content if you do not wish to, but your work may still be shown. Availability of Work and Pricing Artizan Collective will remain the sole representative for exhibited work for the period covering four weeks before the exhibition start date to four weeks after the exhibition closing date; any enquiries about exhibited work from outside the exhibition during this time must be directed to Artizan Collective, and any external sales during this period should be brought to our attention for appropriate commission to be negotiated. Any work that has been submitted may not be withdrawn from the exhibition without the prior approval of Artizan Collective; buyers should be made aware that any work purchased may be required for the duration of the exhibition if removal would have a detrimental effect on the curation of the exhibition.  Work may not be taken from the exhibition without prior approval for the duration of the exhibition – except in the case of a sale from the exhibition – and any sales of work for four weeks before and after the exhibition may not be advertised at a lower price than the exhibition prices; you may privately negotiate lower prices with buyers, but prices advertised on your website and in other exhibitions must not be lower. If work is found to be advertised at a lower price during this period, the artist will be required to update the price accordingly with 48 hours’ notice or Artizan Collective will seek payment of 33% of the difference in marked price regardless of sale of the work. Price parity is essential to building confidence in the commercial art market and failure to meet these guidelines will undermine the success of your exhibition as well as the wider work carried out by Artizan Collective and partners. Payment and Insurance Details of fees can be found in the exhibition call. Our preferred payment method is via the payment link or by BACS Artizan Collective CIC Bank: NatWest | Account: Artizan Collective CIC | Account Number: 74950010 | Sort Code: 557001 Payment for Work Sold Artizan Collective CIC will notify you of any sale of your work as and when sales occur; all payment for works sold are settled after the end of the exhibition.  Payment will be made by direct bank transfer (BACS) and will be made a maximum of 30 days after the end of the exhibition. Insurance It is highly recommended that all artists must have their own insurance when exhibiting at any venue. We recommend http://www.hencilla.co.uk/unions/a-n/air/aip Contact Details Please ensure you provide up to date contact details when submitting your application including at least one phone number, email address and postal address. Artizan Collective CIC Julie Brandon Email: juliebrandon@artizangallery.co.uk Phone: 01803 428626 Mobile: 07522 509642 Jacob Brandon Email: jacobbrandon@artizangallery.co.uk Mobile 2: 07762 9211571 C/O Artizan Gallery 7 Lucius Street Torquay TQ2 5UW Other Calls  There are more opportunities to take part at Delamore Arts 2026 with us in the Sable Arts Quarter. The Kiln Room Artizan Collective are seeking potters, ceramicists and those with clay-based proclivities to join them in “The Kiln Room” trialled successfully as part of Delamore Arts 2025 and returning for a second year in 2026 This is a selective call. Maker Takeovers Artizan Collective is seeking applications from artists and makers to take on Maker Takeover spaces in The Stalls as part of Delamore Arts 2026. “After a successful first year in 2025 we’re looking forward to revisiting what we anticipate will be a popular feature of Delamore Arts 2026, both for artists and audiences. The Maker Takeovers are a great opportunity to sell direct to Delamore’s regular annual collectors, who value the chance to meet artists and makers face to face to hear about their practice.” Julie Brandon, Director Artizan Collective This is a selective call to which we are inviting applications. #Pinned #Call #Calls #Delamore26 #cbp26 #ContemporaryBritishPrintmakers26 #DelamoreArts #ArtizanCollective #Printmaking

Delamore Arts X Artizan Collective Page Navigation (expand to jump to a section of this call) The Kiln Room 2025 Call for Artists Overview Offer Exhibiting and Space Marketing Audience Process Key Dates Fees Submission Forms Terms and Conditions Other Calls The Kiln Room 2026 Call for Artists Artizan Collective are seeking potters, ceramicists and those with clay-based proclivities to join them in “The Kiln Room” trialled successfully as part of Delamore Arts 2025 and returning for a second year in 2026 This is a selective call. Overview Delamore Delamore arts is an annual month-long exhibition that has been running successfully for just over 20 years. It attracts artists and visitors from across the UK with all works selected by a panel of judges to ensure and maintain a high standard of work. Whilst its focus initially was on sculptural works that are placed within the grounds and the house, 2D works have become an important part of the offer and adorn the walls in the main house salon style to compliment a supporting collection of interior 3D works. Delamore regularly sees repeat visitors for whom this event is part of their arts calendar and many of those visitors come with the intent to buy. There is a café on site so most visitors will spend several hours and fully explore all that is on offer. Proceeds from the exhibition support a designated charity that is selected each year by Delamore. Artizan For the month of May, we move to Delamore Estate and support this fantastic annual showcase with our own curated programme. The Kiln Room will sit alongside the third year of Contemporary British Printmakers, with the two exhibitions displayed in the Stable and Carriage Room galleries. This will be our third year collaborating with Delamore with an expanded offer of demonstrations, exhibitions, workshops and more to look forward to. Offer We are offering the opportunity to participate in a fully, curated and marketed potters and ceramicists exhibition, hosted by Delamore Arts and produced by Artizan Collective CIC. The exhibition will be curated to be distinct from but complimentary to Delamore’s wider sculpture offer, with a focus on: Functional and decorative ceramics Pots and vessels Sculptural works in relevant media A small number of supporting wall display works in relevant media Some larger scale pieces suitable to be displayed outside in the Courtyard Area Due to the diverse nature of this area of practice, it is anticipated that the number of works eligible per submission will be determined on a case-by-case basis in consultation with the applicant, after the expression of interest phase. Summary Exhibition of a collection of work, series, or individual pieces (case by case) Presence in Delamore Collectors Catalogue Profile page on Delamore website Profile page on Artizan website Feature on exhibition hub page Exhibiting and Space Exhibiting Offer Artists are initially asked to submit an expression of interest showcasing their portfolio via their online presence or alternatively via a portfolio document (PDF, video, doc etc.) Successful artists will then be asked to propose a collection of works  for inclusion based on guidance from the selection panel, from which we will confirm a commitment to display a given number of works and store an agreed volume of replacement works. The Space The space that we’ll be using sits within the Delamore grounds and forms part of the stable block. The stable area has become well known for a number of years as hosting the Southwest Academy Exhibition, with our presence here now firmly established following an expanded offer in this area in 2025. Stewarding and Demonstrations Artists with an address within 50 miles of the venue are asked to undertake a day’s stewarding as part of the offer. Exceptions may be made, and if you anticipate you may want to opt-out of stewarding you should indicate this on your expression of interest. All artists are encouraged to attend the launch event. Last year we ran a handful of demonstrations from participating artists which we would like to expand on. Demonstration days would be in addition to the stewarding days. Marketing Online The exhibition will have a dedicated online hub within our own website, and all artists will also have their own individual presence on the Delamore website. Additionally, every artist will have a dedicated profile created within our exhibition hub where they can list an unlimited number of works to be promoted to the Delamore audience that do not physically appear in the exhibition. All submitted works will be listed on our own dedicated exhibition page. Two images per artists will feature in the Delamore catalogue and on the Delamore website along with a brief artist statement, and a link through to our dedicated exhibition page. Print All artists will be included in the high-quality Delamore souvenir guide with an artist statement and image of their work. Separately, Artizan will produce a small print record of the exhibition for visitors to take away directing them to extended works on offer through the exhibition hub. Other Promotion Supporting flyering, and extensive event listings, press inclusions and paid advertising are carried out by Delamore, and its long-running pedigree guarantees returning audiences. Artizan will support these efforts with its own campaign promoting their attendance and inclusion in this year’s event. Audience Delamore attracts an audience in excess of 6,000 annually with a consistent record for high sales both from the sculpture trail and supporting exhibitions. In continuing to evolve the event and promoting the new offers such as this, they show their commitment to growing audiences. With the highly selective nature of the Delamore offer, we feel that this is a unique opportunity to reach their audience of collectors and are seeking to build on the success of the Kiln Room 2025 for a second year. Process Expressions of interests must be completed and submitted via any of our preferred platforms no later than the EOI deadline below. These will then be judged, and artists will be selected for the exhibition and invited to make their full submissions. EOIs will need to include: Your Name Contact Email Contact Phone Address (be that your studio or home address) A website/link/social media showcasing your work OR a portfolio in the form of a suitable document format (word, PDF, video) Supporting statement/Artist statement (optional) Confirmation of interest in providing a demonstration (optional) Confirmation of eligibility/availability to steward Agreement to terms Fee payment Full submissions will subsequently include: Details of all works Title Media Dimensions Price Fee payment Key Dates: Delamore Exhibition Dates: 1 st  – 31 st  May Deadline for Expressions of Interest: 15 th December 2025 Confirmation of Success: 17 th December 2025 Deadline for Full Submission: 14 th January 2026 Confirmation of Selected Works: 16 th January 2026 Delivery of work to Delamore: 6 th – 12th April 2026 (Our preference is that work is delivered directly to Delamore, but we will accept delivery of work to Lucius Street as well) Delivery of work to Artizan Gallery Lucius Street: 9 th  – 11th April 2026 Setup Dates: 13 th  – 17th April 2026 Delamore Launch Date: 26 th  April 2026, 12:00-17:00 Delamore “Sold Works” Collection Date: 6 th June 2026 Collection of “Unsold Works” from Delamore: 1 st – 6 th  June 2026 (Collection from Artizan will only be available at our discretion) Fees Total Fee:  £50.00 This is made up of a non-refundable £25.00 fee payable to cover your expression of interest, and a further £25.00 if successful. 35% commission based on an agreed commission split with Delamore Arts   Please make your fee payment at the below link once you have made your submission: https://pay.sumup.com/b2c/QKNY9SW6   Submission Forms: Word Document (fillable): Download a copy of the form here and email it to juliebrandon@artizangallery.co.uk https://1drv.ms/w/c/e324e4197c111288/EXyooDcJ0UZHmn_XzgCbCLQBCSytoOJqu2b8XFjQJHe1Nw?e=HsXd2R PDF (printable/readable): Download a copy of the form here and either print, fill and post to Artizan, 7 Lucius St, Torquay, TQ2 5UW OR print, fill, scan and email to juliebrandon@artizangallery.co.uk OR use as a reference to submit the required information in the body of an email to juliebrandon@artizangallery.co.uk https://1drv.ms/b/c/e324e4197c111288/EfPSl4XnSLBChPtaA6sk_KoBYWsF845GEHed_fh2AhIPyw?e=EeUNe0 Google Forms (fillable): Use this fillable web form to submit your application. You do not need a Google or Gmail account to complete this form, but if you have one, we recommend signing in to enable Google to save your progress. https://forms.gle/7XCMyJ4wJZsnCiUs6 Curatorspace: This is a third party platform dedicate to supporting artist calls and opportunities. You need an account with them to submit via this platform. https://www.curatorspace.com/opportunities/detail/the-kiln-room---artizan-collective-x-delamore-arts/9722 Terms and Additional Notes Presentation and Standards All submissions must be original works in a ceramics, pottery or other sufficiently relevant media Deliveries/Collections and Participation All deliveries and collections of work to be exhibited will be made to/from Delamore or Artizan Gallery as standard. Any couriered works should be delivered to Delamore. Exceptions to this can be arranged but must be agreed. All work for exhibition must be safely packaged to avoid damage and if you would like your work returned in its original packaging after the exhibition you should label the exterior of the packaging with your name and the title of the work and use non-damaging tape.  If the original packaging cannot be used Artizan Collective CIC will charge for any packaging that we are obliged to provide.  Artizan Collective CIC does not accept any liability for damage to work that has not been delivered safely packaged. Work must be delivered and collected in a timely fashion as per the dates expressed in the details of the exhibition which you have received. Please ensure you are aware of these dates before agreeing to these terms. Any variation from these dates must be agreed with the gallery in advance. Failure to meet these arrangements may result in your work not being exhibited. Any items not collected by the deadline – and where no arrangement for delay has been agreed beforehand – may incur a storage charge of £5 per day. Attendance at the launch event is highly encouraged but not mandatory. Purchases Unlike other areas of Delamore’s programme, works will largely be made available for release from the exhibition at the point of sale. Deadlines and Provision of Materials All scheduled deadlines outlined in the Key Dates section must be met promptly to avoid the risk of not being included in any areas of the exhibition delivery All images must be of sufficient quality for print promotion (300dpi minimum dimensions 1080px) and identified in the following format “brandonjulie-nightsky-oilonboard-42x56cm-200” Promotion Artizan Collective CIC produces promotional materials for use online, on social media, in email newsletters, and in print publications.  Exhibiting artists are expected to participate in actively promoting the exhibition alongside these promotional activities. Artizan Collective CIC retains the rights to any and all promotional materials produced for the exhibition, and will retain creative control of the layout, content, and design of all promotional materials.  Draft copies of promotional materials may be sent to you (with the publishing deadline clearly visible) for proofreading and fact-checking purposes only, and any inaccuracies must be reported to Artizan Collective CIC before the publishing deadline.  Artizan Collective CIC does not accept responsibility for any inaccuracies that are not reported before the publishing deadline. Online Shop Artizan Collective CIC maintains contact with long-distance clients via email newsletters and other online platforms.  Works exhibited will be marketed to interested collectors via email and also put up for sale in the online shop at the same price as in the exhibition on a dedicated exhibition page. This dedicated exhibition page will remain as an archive of the exhibition for the lifetime of the site. Artizan Social Media Accounts Artizan Collective CIC expects artists exhibiting at the gallery to tag our social media accounts in any promotional posts for the exhibition, and to share any promotional posts produced by the gallery for the exhibition.  Please make sure you have liked or followed any of the appropriate accounts prior to the start of your exhibition.  Social media account details are: Facebook: /artizangallery Twitter: @ArtizanGallery Instagram: @ArtizanGallery Youtube: /c/ArtizangalleryUk Website Artizan Collective CIC has the use of two websites, Artizan Gallery ( artizangallery.co.uk ) and a sister site Arthub ( art-hub.co.uk ).  All exhibition content will be hosted on a dedicated page on the Arthub site for the lifetime of the site and this will be the main point of contact for information. Artizan Collective CIC carries out extensive written, photographic and film documentation of all exhibitions which will be found here. Sponsors Exhibition partners and sponsors often support the work of Artizan Collective CIC, and their details will be promoted throughout the exhibition. Artizan Collective CIC is grateful to the businesses who recognise the value of local arts and culture through this support and encourages all participating artists to help demonstrate this gratitude in any of their associated social media and promotional efforts. Photography Where possible Artizan Collective CIC aims to take high quality photographs of all pieces displayed for promotion purposes and may use these images to promote your work or the work of the gallery after the exhibition you are participating in has finished. All images taken of your work by the gallery are the property of the gallery. If you wish to use them for promotion of your work outside of this exhibition high resolution copies suitable for print and web promotion can be made available. Contact Artizan Collective CIC for full details of their photographic services. Film and Video Artizan Collective CIC produces film and video content in relation to their work and exhibitions. As part of this you may be invited to interview in relation to your involvement in the exhibition or your work may appear in footage captured at the exhibition. Provided image material may also be used as part of this video content where it its relevant to the promotion of your work or the exhibition your work is a part of. There is no obligation to directly appear in video content if you do not wish to, but your work may still be shown. Availability of Work and Pricing Artizan Collective will remain the sole representative for exhibited work for the period covering four weeks before the exhibition start date to four weeks after the exhibition closing date; any enquiries about exhibited work from outside the exhibition during this time must be directed to Artizan Collective, and any external sales during this period should be brought to our attention for appropriate commission to be negotiated. Any work that has been submitted may not be withdrawn from the exhibition without the prior approval of Artizan Collective; buyers should be made aware that any work purchased may be required for the duration of the exhibition if removal would have a detrimental effect on the curation of the exhibition.  Work may not be taken from the exhibition without prior approval for the duration of the exhibition – except in the case of a sale from the exhibition – and any sales of work for four weeks before and after the exhibition may not be advertised at a lower price than the exhibition prices; you may privately negotiate lower prices with buyers, but prices advertised on your website and in other exhibitions must not be lower. If work is found to be advertised at a lower price during this period, the artist will be required to update the price accordingly with 48 hours’ notice or Artizan Collective will seek payment of 33% of the difference in marked price regardless of sale of the work. Price parity is essential to building confidence in the commercial art market and failure to meet these guidelines will undermine the success of your exhibition as well as the wider work carried out by Artizan Collective and partners. Payment and Insurance Details of fees can be found in the exhibition call. Our preferred payment method is via the payment link or by BACS Artizan Collective CIC Bank: NatWest | Account: Artizan Collective CIC | Account Number: 74950010 | Sort Code: 557001 Payment for Work Sold Artizan Collective CIC will notify you of any sale of your work as and when sales occur; all payment for works sold are settled after the end of the exhibition.  Payment will be made by direct bank transfer (BACS) and will be made a maximum of 30 days after the end of the exhibition. Insurance It is highly recommended that all artists must have their own insurance when exhibiting at any venue. We recommend http://www.hencilla.co.uk/unions/a-n/air/aip Contact Details Please ensure you provide up to date contact details when submitting your application including at least one phone number, email address and postal address. Artizan Collective CIC Julie Brandon Email: juliebrandon@artizangallery.co.uk Phone: 01803 428626 Mobile: 07522 509642 Jacob Brandon Email: jacobbrandon@artizangallery.co.uk Mobile 2: 07762 9211571 C/O Artizan Gallery 7 Lucius Street Torquay TQ2 5UW Other Calls  There are more opportunities to take part at Delamore Arts 2026 with us in the Sable Arts Quarter. Contemporary British Printmakers Artizan Collective are seeking printmakers to join them for the third year of Contemporary British Printmakers, a touring exhibition hosted at Delamore Arts as part of their annual sculpture and arts showcase. This is a selective call that will appoint a maximum of 25 artists who represent a broad spectrum of the printmaking practice. Maker Takeovers Artizan Collective is seeking applications from artists and makers to take on Maker Takeover spaces in The Stalls as part of Delamore Arts 2026. “After a successful first year in 2025 we’re looking forward to revisiting what we anticipate will be a popular feature of Delamore Arts 2026, both for artists and audiences. The Maker Takeovers are a great opportunity to sell direct to Delamore’s regular annual collectors, who value the chance to meet artists and makers face to face to hear about their practice.” Julie Brandon, Director Artizan Collective This is a selective call to which we are inviting applications. #Pinned #Call #Calls #Delamore26 #tkr26 #TheKilnRoom26 #DelamoreArts #ArtizanCollective #Ceramics