Delamore Arts X Artizan Collective UPDATE APRIL 1ST: We've been able to add an extra, large space within the courtyard ideal for pairs or small groups, bookable by the day. See full details below. IMPORTANT NOTE: This is the second round of this call. Full details and terms can be found here . Call for Makers, Artists and Artisans: Maker Takeovers 2026 Artizan Collective is seeking applications from artists and makers to take on Maker Takeover spaces in The Stalls as part of Delamore Arts 2026. “After a successful first year in 2025 we’re looking forward to revisiting what we anticipate will be a popular feature of Delamore Arts 2026, both for artists and audiences. The Maker Takeovers are a great opportunity to sell direct to Delamore’s regular annual collectors, who value the chance to meet artists and makers face to face to hear about their practice.” Julie Brandon, Director Artizan Collective This is a selective call to which we are inviting applications. Round 2 Process Gaps that have not been booked as blocks are now available to book flexibly. Where blocks remain, this can still be booked with a 5% discount, or you can alternatively book a single day or your own multiday variation. *NEW* Large/Group Pod The new large/group pod is situated within the Stable Courtyard and is approximately twice the size of the existing "Large Pod". It includes hanging system for 2D display and we are able to provide some tables and surface display furniture. Power and a sink are available making the space ideal not only for display but also delivering demonstrations and carrying out live practice to engage audiences, and on good weather days you can make use of the courtyard area immediately outside the pod. Given the size of the space, we recommend groups consider it, and also booking for a minimum of two days to justify setup times. The space is secure so all items can be left overnight. All other amenities are as outlined for the wider Maker Takeover event. Available Dates Our remaining available dates are in the table below. Please note the details below for reading this table: Indicated prices are the daily rates When booked as a coloured block (e.g. 1st May - 4th May), a discount will be applied Where you book multiple days but not as a block, we cannot offer a discount. * Indicates that there are 2 pods available at this rate on this date No commission is taken on sales Dates will be filled on a first come first serve basis Standard Pod Large Pod *NEW* Group Pod 26th April - Launch Day (£60) 5th May (£65) 1st May (£95) 3rd May (£60) 6th May (£65) 2nd May (£95) 4th May (£60) 7th May (£65) 3rd May (£95) 5th May (£50)* 11th May (£65) 4th May (£95) 6th May (£50)* 12th May (£65) 5th May (£85) 7th May (£50)* 13th May (£65) 6th May (£85) 8th May (£50)* 14th May (£65) 7th May (£85) 9th May (£50) 26th May (£65) 8th May (£85) 10th May (£50) 27th May (£65) 9th May (£85) 11th May (£50)* 28th May (£65) 10th May (£85) 12th May (£50)* 29th May (£75) 11th May (£85) 13th May (£50)* 30th May (£75) 12th May (£85) 14th May (£50)* 13th May (£85) 18th May (£50)* 14th May (£85) 19th May (£50)* 15th May (£95) 20th May (£50)* 16th May (£95) 21st May (£50)* 17th May (£95) 22nd May (£60)* 18th May (£85) 23rd May (£60)* 19th May (£85) 24th May (£60)* 20th May (£85) 25th May (£60)* 21st May (£85) 26th May (£50) 22nd May (£95) 27th May (£50) 23rd May (£95) 28th May (£50) 24th May (£95) 29th May (£60) 25th May (£95) 30th May (£60) 26th May (£85) 31st May (£60) 27th May (£85) 28th May (£85) 29th May (£95) 30th May (£95) 31st May (£95) Submission Forms Word Document (fillable): Download a copy of the form here and email it to juliebrandon@artizangallery.co.uk https://1drv.ms/w/c/e324e4197c111288/IQBySKRpZq93QKn5eo-F36JyAYL_0xsfluKiDCIObbYRYgE?e=ChDGDX PDF (printable/readable): Download a copy of the form here and either print, fill and post to Artizan, 7 Lucius St, Torquay, TQ2 5UW OR   print, fill, scan and email to juliebrandon@artizangallery.co.uk   OR  use as a reference to submit the required information in the body of an email to juliebrandon@artizangallery.co.uk   https://1drv.ms/b/c/e324e4197c111288/IQA14UVjlzM1T5TysY1UDyvtASPJlXEkZkc05NwXjge-mws?e=l9OoJQ Application Fee Please make your fee payment at the below link once you have made your submission: https://pay.sumup.com/b2c/QONM6ZKF

We are seeking 4-5 artists with a plein air practice for a paid audience facing role as part of Delamore Arts 2026. Plein Air At Delamore Plein Air at Delamore will be a weekend long event that will open this year’s exhibition in the grounds of Delamore Estate, falling on the first May bank holiday weekend. Commissioned artists will be invited to create work in Delamore’s grounds and will then be invited to compete in the final professional’s day. Role Commissioned artists will paint on location, engaging with audiences about their practice and being a part of the events activity for the bank holiday weekend. Each painter will also hold a 1-2 hour session along the lines of a demonstration, paint along, technique workshop (their choosing) that audiences will be able to join for. We are seeking a diverse range of practices that demonstrate the breadth of plein air/open air creative processes, from the more traditional association with oil and watercolour, through to digital, urban, printmaking and other media. Professionals Competition On Day 3, the final day of the event, there will also be a professional’s competition with guest judges and cash prizes. There will be a fee for competing artists to setup for the day, but our commissioned artists will be given free entry to compete, and we would very much like them to join for this element. Event Timings The event will run from May 2 nd  – 4 th . Activity Date Delamore Live: Artists in Action: No other painters on site, audiences will explore Delamore’s exhibitions and grounds and will be invited to observe and engage with our commissioned painters. Saturday 2 nd Delamore Creates: Bring a Brush and Have a Go: Families and painters will be invited to come to Delamore and get involved, painting in the grounds. Sunday 3 rd The Delamore Open: The Open Air Art Competition: A competitive judged paint off day. All commissioned artists are invited to participate with no fee. Monday 4 th   Delamore’s opening times are 10:30-16:30 and we request your activity is for the full duration of these times excluding comfort breaks and a 45-minute lunch break. Delamore staff will be available throughout the day to support in any setup, securing of equipment and other reasonable requests. Fee Each commissioned artist will receive a fee of £180.00 (total) plus reasonable travel expenses. You will also receive a soup lunch from the Delamore café (day 1 only). Applying and Selection We will select artists to create a diverse and engaging event with a focus on different practices, styles and activity. We will also need to see evidence of sufficient experience painting on location and engaging with audiences. You can download the submission form from the links below, or visit the application page on curatorspace. Deadline for applications is April 10th. Word Form: Plein Air at Delamore - Call For Demo Artists.docx PDF Form: Plein Air at Delamore - Call For Demo Artists (Fillable).pdf Curatorspace: https://www.curatorspace.com/opportunities/detail/plein-air-at-delamore-call-for-delamore-artists/10510 Terms and Conditions 1. Sales, Display, and Commission Works produced across the two days may be requested for display during the month of May. These works can be displayed either commercially or Not For Sale (NFS) at the artist's discretion. If displayed commercially, works will be subject to Delamore’s standard commission fee of 35%. It is acceptable to take commercial enquiries for the works you’re producing on the day. However, works cannot be taken away until Delamore has had first refusal to display them for the duration of the exhibition. Any sales agreed upon or facilitated on Delamore grounds during the event will incur Delamore’s standard commission fee of 35%. 2. On-Site Conduct and Safety Artists must respect the Delamore grounds. There is absolutely no disposal of paint water, solvents, or materials into the grounds, bushes, or drains. We understand that some mess is a natural part of the creative process. However, where the use of messy materials is excessive, artists must take suitable protective steps (e.g., using drop-cloths) to prevent overspray or spills onto grass, trees, or historic stonework. Any hazardous materials or tools must be approved by the organiser. No mains electricity will be provided on the grounds. Artists using digital devices or other makers must ensure all tools and devices are hand-operated or strictly battery-powered. 3. Marketing and Promotion Commissioned artists will be required to participate in all marketing and promotion in the build-up to, and during, the event, including contributing to press interviews. By participating, artists grant Delamore the right to photograph them and their artwork during the event for future marketing, promotional, and social media purposes. Artists may verbally promote their practice and hand out business cards to audiences. You may also display sketchbooks or examples of your practice to help illustrate your process. To prevent litter and maintain the visual aesthetic of the grounds, flyers, unauthorized banners, and independent signage are strictly prohibited. 4. Logistics and Liability Delamore staff will be on hand to assist throughout the day, but you may request free entry for a support volunteer to assist you. Unfortunately, we cannot provide lunch for support volunteers. Reasonable travel expenses are determined at the discretion of the organiser. Delamore accepts no liability for loss, theft, or damage to any artwork, equipment, or personal belongings, nor for any personal injury sustained during the event. Artists participate at their own risk. Artists will be asked to confirm in writing that they hold all relevant public liability insurance for delivering this type of activity (we recommend https://www.a-n.co.uk/ ). Failure to comply with any of the above rules, terms, or reasonable requests from Delamore staff may result in termination of your contract.

Artizan Women’s Open Image from the preview of the Artizan Women's Open 2024 The narrative for women in the arts over the past twelve months arguably has seen some stark dualities. 2025 was a year of historic breakthroughs. An auction milestone was reached in May 2024 as Leonora Carrington’s Les Distractions de Dagobert  fetched $28.5 million at Sotheby’s - a record for a British-born woman artist and a market validation of female Surrealism – and this momentum was also seen in private spheres, with the Art Basel & UBS Survey of Global Collecting 2025  reporting that work by women reached a seven-year high of 44% within the portfolios of high-net-worth collectors. However, while the market celebrated historical figures, contemporary institutional progress remains slow. The National Museum of Women in the Arts (NMWA) continues to highlight this, reminding us that globally, only 13.7% of artists represented by major galleries are women - a figure that has barely moved despite a year of high-profile "inclusion" initiatives. This plateau is risks being reenforced by technology. New research shows a significant bias in generative AI, finding that for neutral prompts such as "a portrait of a great artist," models defaulted to male-coded imagery over 80% of the time. This digital erasure was met in early 2025 by the viral "Invisible Woman" campaign, highlighting how the male gaze is being baked into the future of creative technology, restricting women to passive roles as "muses" rather than creators. Data from the Burns Halperin Report audits continue to inform todays conversation, revealing that progress has entered a period of fatigue. In major museums, works by women still account for just 11% of acquisitions, and programming for women appeared to be slipping back into the safer territory of group shows, rather than the career-defining solo exhibitions required for true parity. Perhaps most telling was the 2025 "Artists Speak" report from SMU DataArts. The report identified a persistent maternal wall and a significant disparity in unpaid labour, revealing that women artists are still disproportionately burdened by administrative and domestic tasks that fragment creative time. We see a world where women are increasingly "visible" in the news, yet still economically, digitally, and spatially squeezed in the studio and the gallery.   The Return of the Women’s Open The Artizan Women’s Open returns for 2026 to keep this narrative open. Three years of incredible support has shown us that our artists and audiences want to have this conversation as much as we do. For 2026, we are evolving. Whilst maintaining our traditional, high-standard Open Call for those who wish to lead with the work alone, we’re also introducing new, thematic entries for those who wish to explicitly address some of the key barriers faced within the industry. We hope this will provide space for everyone to contribute to the conversation and also allow us to expand the exhibitions potential to bring awareness of critical narratives for women artists. Your contribution is vital to this record.   Submission Models for 2026 You may submit works within any of the following four categories (mixing between categories is allowed). These categories allow you to contextualise your work on your own terms; they do not change the fundamental standard of the exhibition but rather expand how we talk about the work on the walls. You can submit under multiple categories up to a maximum of 6 works. Advice to Applicants The nature of this diversified call means there are a lot of moving parts. We advise reading through the various options and consider submitting to a maximum of two themes. Once you know what categories you want to submit under, check the submission notes and sizes carefully, and make sure you have all the information for your submission to hand (work titles, dimensions, images etc. as well as any special fields). And if in doubt, talk to us. 01. THE OPEN CALL (Standard Entry) This remains our traditional entry model. It is designed for artists who wish to engage with the exhibition as they always have: by submitting their best work to be judged on its own merits, free from a thematic lens, celebrating the autonomy and excellence of women artists. Notes: This is a commercial category, works are submitted for sale. This category is for completed works in any media. You can submit up to the submission limit of 6 works under this category. Sizes: 2D Single has a maximum dimension of 75cm in any direction (i.e. 1 of your 6 entries) 2D Double has a maximum dimension of 100cm in any direction (i.e. 2 of your 6 entries) 3D Single has a maximum dimension of 75cm in any direction 3D Double has a maximum dimension of 120cm in any direction 02. BARRIERS (The Social Invoice) The BARRIERS  category looks to share an audit of the creative “cost”, inviting artists to submit finished works alongside testimony of the work that went into creating them. Most gallery visitors only see the finished piece. They don’t see the "hidden" side of being an artist: the late nights, the unpaid admin, or the struggle to balance work with family life. In 2025, research showed that the arts sector often relies on "passion exploitation," where artists are expected to work for free just to keep their careers going. To reveal this "invisible labour" we’re asking you to submit its "Social Invoice," which will be presented as a physical thermal receipt to visualize the hidden paper trail of creation. This invoice functions as the exhibition label for the work, not just displaying the title medium and price, but also itemising the "ghost hours" and systemic costs - such as passion exploitation, unpaid administrative time, or caregiving duties - that are traditionally erased by the gallery’s white walls. The specific format of the invoice remains entirely up to the artist; they may choose to list precise financial costs, total hours sacrificed, or simply a descriptive ledger of the domestic and professional barriers they navigated. Each individual work submission will consist of: A ready to display artwork The social invoice for that work Notes: This is a commercial category, works can be submitted for sale or not for sale. This category is for completed works in any media. We recommend submitting a maximum of 2 works under this theme. You may submit additional works under another theme. Your “social invoice” is a text only submission but other than this is not prescriptive and can include any information you want to attach to the labour involved in creating your work. You may wish to give items a time cost (e.g. The "Late Fee": Waiting 3 months for a previous client to pay me so I could buy materials - 90 Days of Stress) a monetary cost (e.g. The “Boomerang Fee”: Courier charges to return unsold work from another exhibition - £50.00) or something else entirely. Sizes: 2D Single has a maximum dimension of 75cm in any direction (i.e. 1 of your 6 entries) 2D Double has a maximum dimension of 100cm in any direction (i.e. 2 of your 6 entries) 3D Single has a maximum dimension of 75cm in any direction 3D Double has a maximum dimension of 120cm in any direction 03. THE 13% THRESHOLD (Spatial Presence) For those whose work demands significant physical or conceptual space, this category responds to the fact that major gallery representation of women has held stubbornly at a low 13.7%. We invite works that intentionally challenge this limit through their refusal to be squeezed, either in their scale or the power of their concepts. We’ll be dedicating 13% of the gallery space to the display of works in this category. Each individual work submission will consist of: A ready to display artwork A brief description of the works physical or metaphorical scale Display instructions Notes: This is a commercial category, works can be submitted for sale or not for sale. This category is for completed works in any media. A maximum of 1 work can be submitted in this category. You may submit additional works under another theme. Please provide detailed display instructions and consider emailing supporting images. Due to the deliberate choice to limit the gallery space available for these works only a small number of works will be selected in this theme. Sizes There are no size limits on this submission but you should consider the scale of the venue when submitting your work. 04. UNFINISHED (The Archive of Stolen Time) This category acknowledges that for many women, creative output is often a series of fragments of “stolen time” reclaimed from lifes other pressures. In 2025, research showed that 72% of arts workers suffered from high stress and burnout, and many have reached a crisis point where they considered leaving the arts entirely. We want to move away from the idea that only "finished" work has value. This category is a monument to the work that remains unmade because life got in the way. We are creating an archive of the "unfinished" to show exactly what the arts sector loses when its people aren't supported. Each individual work submission will consist of: An unfinished artwork A timestamp for when the work was paused (this can be estimated but is ideally a full date) Details of how the work is to be displayed Notes: Works can be displayed as “not for sale” or  “sold as seen” or as “pre-order” “Sold as Seen” works are displayed for sale in the raw incomplete state “Pre-order” works are displayed as concepts for final pieces. Sales details provided should be for the final work, effectively taking payment in advance for the completed piece. Work displayed on this basis demonstrate commitment to produce the final work within a reasonable timeframe if commissioned. This category is for incomplete works in any media. We recommend submitting a maximum of 2 works under this theme. You may submit additional works under another theme. You should provide detail of how your incomplete work is to be displayed and may be required to provide any special fixtures to facilitate this. Sizes 2D Single has a maximum dimension of 75cm in any direction (i.e. 1 of your 6 entries) 2D Double has a maximum dimension of 100cm in any direction (i.e. 2 of your 6 entries) 3D Single has a maximum dimension of 75cm in any direction 3D Double has a maximum dimension of 120cm in any direction THE BACKLOG PROJECT (Male Solidarity) We invite male-identifying artists to support this year’s exhibition through the backlog project. The Contribution:  Male artists pay a submission fee and deliver a work. The Reality:  The work remains completely packaged and unopened on the gallery floor for the duration of the show removing its commercial potential. The Impact:  Proceeds from these fees will fund a Curation Fee for a woman artist, commissioned to arrange these "unseen" packages in the space as an installation. Notes: This is a non-commercial submission. This is a symbolic contribution that enables participation, the male artist will receive no remuneration or recognition for their part in the show. The installation as a whole will be recognised as the work of the commissioned woman artist. Value For Every Artist Whilst we can’t remove submission fees from our model at this time, we believe in ensuring value for artists who support us through their applications to work with us. To ensure our process builds visibility for all, every applicant - regardless of the final curation - will receive: The AWO Commonplace Book (Optional Opt-In): Historically excluded from formal higher education and professional institutions, women utilised commonplace books as vital intellectual "workspaces" to construct authoritative identities and engage with culture from the domestic realm. These compilations allowed women to transcend traditional gender roles by merging household management with scientific observation, literary composition, and political critique, bridging the gap between private life and the public sphere. As a nod to these texts, we’re creating “The AWO Commonplace Book”. You may optionally complete a professional profile and mini-interview to be included in this document, a digital resource to be shared with all applicants to help you discover and connect with your peers. IWD Spotlights: Profiles from The Commonplace Book  will be used for our International Women’s Day (IWD) campaign, featuring artist spotlights on our public channels throughout the exhibition. Submissions received before IWD will be used as part of our social campaign for this event. IWD Networking Event: All artists who submit before International Women’s Day will receive an invitation to our IWD event. The 2025 Industry Briefing: A curated report gathering some of the critical 2025 moments. This report will exclusively be available to applicants to AWO 2026. Make A Submission Submissions are now solely being taken through our internal platform or via our exhibition access support. You can make a submission at www.art-hub.co.uk/submissions If you are not able to use this system for any reason, please email submissions@artizangallery.co.uk and we'll endeavour to support an alternative application method. Please remember we are a small team, and therefore access support requests should be made well in advance of the opportunity deadline to best enable us to assist. Fees Standard Entry - £35.00 Discretionary Entry - We welcome you to self-assess that you qualify for a reduced entry fee if it helps you to participate in the exhibition - £20.00 Commission on sales 35% Key Dates and Links International Women's Day Event: TBC within 6th - 8th March Call Deadline: 5th March Confirmations: 6th March Delivery of Works: 6th March - 15th March Exhibition Setup: 16th - 20th March Exhibition Launch: 21st March Exhibition Dates: 22nd March - 26th April Exhibition Page: www.art-hub.co.uk/ex/awo25 Submission Page: www.art-hub.co.uk/submissions Application Support: submissions@artizangallery.co.uk Terms and Conditions: http://www.art-hub.co.uk/exhibitorsterms #Call #awo26 #pinned #ArtizanWomensOpen #ArtizanTorquay #ArtizanCollective

Arts and culture content from Torbay's talented artists and cultural organisations. Welcome to Arthub. Now Showing What Matters Most? Find Out More What Matters Most? a bold and energetic showcase of work by students from University Centre South Devon. What Matters Most? This is the reflective question that 6 Degrees South have aimed to answer in their upcoming exhibition, resulting in a showcase of art that conveys a wide curiosity and appreciation for the world around us. What Matters Most? is a variety of intimate and heartfelt contemplations, from discussing personal encounters with solitude, the unseen depths of mental health, the concept of identity and the importance of preserving our environment and the future. This exhibition aims to reconcile multiple personal topics through a multitude of techniques and materials, curating a reflective atmosphere that authentically expresses the hopes and aspirations of 6 Degrees South. 6 Degrees South is a collective of six artists graduating from FdA Contemporary Arts Practice, who have worked on numerous collaborative projects during their time studying together. This exhibition makes the important and transitional journey from practicing artists to rising professionals. Featuring Eve Butler, Joanna Ward, Mason Johnstone, Samuel Bailey-Merritt, Ruby Brown and Azriel Silvester. 📅 undefined 🟡 Open Tomorrow 7 Lucius Street, Torquay, TQ2 5UW No upcoming exhibitions listed. Standard Opening Hours: Monday: Closed Tuesday: Closed Wednesday: Closed Thursday: Closed Friday: Closed Saturday: Closed Sunday: Closed Artizan Printmaking & Sculpture Gallery 🔴 Closed Our Venues Unit 5, Fleet Walk, 74 Fleet St, Torquay TQ2 5EB Current Exhibition: Standard Opening Hours Monday: Closed Tuesday: 10:00 - 16:00 Wednesday: 10:00 - 16:00 Thursday: Closed Friday: 10:00 - 16:00 Saturday: 10:00 - 16:00 Sunday: 10:00 - 16:00 Artizan Collective Gallery 🔴 Closed Artizan Collective Studios Unit 5, Fleet Walk, 74 Fleet St, Torquay TQ2 5EB Current Artists Studios Cheryll Kinsley Potter Carly Read Hannah Taylor Olya Baklan SWAc Natalia Caballero Lopez Unit 5, Fleet Walk, 74 Fleet St, Torquay TQ2 5EB Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here... Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here... Unit 5, Fleet Walk, 74 Fleet St, Torquay TQ2 5EB Filter Button Filter Button Filter Button Exhibitions Nebula Filter Button 🖌️ Monotype with Chine Collé 🎨 Dorothy Hanna £590.00 Waterlines 43/44 Filter Button 🖌️ Acrylic on Board 🎨 Robert Mountjoy SWAc £950.00 Heft Filter Button 🖌️ Etching 🎨 Mary Gillett £850.00 Inside Out Reflections Doodle Bowl The Kiln Room 🖌️ Stoneware Ceramic 🎨 Rebecca and David Holley £120.00 Waterlines 45/46 21 Journeys 🖌️ Acrylic on Board 🎨 Robert Mountjoy SWAc £950.00 Interruption 21 Journeys 🖌️ Etching 🎨 Mary Gillett £850.00 Waterlines 24 21 Journeys 🖌️ Acrylic on Board 🎨 Robert Mountjoy SWAc £950.00 Climate Chaos 21 Journeys 🖌️ Acrylic on Canvas 🎨 Clark Nicol £450.00 Howl 21 Journeys 🖌️ Etching 🎨 Mary Gillett £675.00 Art

Delamore Artist Hannah Taylor I have a deep passion for everything local, and that especially includes the beauty found in my Mum's garden, our many beach walks and our unique heritage buildings. We are truly spoiled living in Torquay. My pottery is a heartfelt reflection of our beautiful bay, the picturesque beaches and the rich heritage sites make this area so special. I also draw a lot of inspiration from the legendary Torquay Potteries of the past, which adds a nostalgic touch to my work. In my new creations 'Happy Heart, Garden & Bones' I enjoy experimenting with even bolder, brighter colours and playful patterns, and I can't wait to share this love of happiness and creativity with all of you! Recently, I’ve also begun exploring painting. What started out as simple props for this new exhibition has now evolved into bigger bold pieces that beautifully complement my pottery designs. I’m really excited also to invite you to my studio for pottery sessions! It’s a relaxed and vibrant space filled with inspiration, where you can unleash your creativity. Whether you want to try your hand at hand-building with clay or give my potter's wheel a go, there’s something for everyone. My main aim is that everyone has fun and they create something unique and wonderful to take home. ← Previous Artist Next Artist → Stoneware Artizan Collective at Delamore Arts 2026 The Kiln Room Filter Button Filter Button Filter Button Filter Works All Works Filter by Availability Price £ 120 Price Art Sitting by the Pond 🎨 Hannah Taylor 🖌️ Stoneware £120.00 Water for the Birds 🎨 Hannah Taylor 🖌️ Stoneware £120.00 Walking the Pineapple 🎨 Hannah Taylor 🖌️ Stoneware £120.00 Tropical Days 🎨 Hannah Taylor 🖌️ Stoneware £120.00 Tropical Days 🎨 Hannah Taylor 🖌️ Stoneware £120.00 Palm House Leaves 🎨 Hannah Taylor 🖌️ Stoneware £120.00 Creatures in the Strawberries 🎨 Hannah Taylor 🖌️ Stoneware £120.00

Delamore Artist Scott Freeland Born and raised in East London and still living in and around the South-East of England, Scott draws his inspiration from his surroundings and the everyday. This includes the environment and influences from digital media, finding disparity, humour and tragedy within our ever-changing world. Scott studied MA Fine Art at UEL and BA Photography at Kent University. His exhibitions have included The Turner Contemporary Open, Impact 12, Bristol, LOOP 2022 at the Bankside Gallery, Free Range at the Truman Brewery, the Copeland Gallery, London and S.A.G.E Gallery, Thailand. Scott was also short-listed for the New Contemporaries in 2021. ← Previous Artist Next Artist → Filter Button Filter Button Filter Button Filter Button Filter Button Filter Button Filter Works Filter Button Filter by Availability Price £ 0 £ 3.4 £ 6.8 £ 10.2 £ 13.6 £ 17 £ 20.4 £ 23.8 £ 27.2 £ 30.6 £ 34 £ 37.4 £ 40.8 £ 44.2 £ 47.6 £ 51 £ 54.4 £ 57.8 £ 61.2 £ 64.6 £ 68 £ 71.4 £ 74.8 £ 78.2 £ 81.6 £ 85 £ 88.4 £ 91.8 £ 95.2 £ 98.6 £ 100 Price Art Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here... Filter Button Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here...Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here...Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here...Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. Write your text here...Collapsible text is great for longer section titles and descriptions. It gives people access to all the info they need, while keeping your layout clean. Link your text to anything, or set your text box to expand on click. 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