Clare Stephens creates vessels which have dialogue with each other, and their surroundings. Encouraging interaction visually and by touch, eludes to human values of empathy, acceptance and unity, opening up conversations and communication about important values. Interaction with others, materials and objects are mirrored by her pieces when engaging physically, spatially, emotionally, and spiritually with them.

 

Clare uses various local wild and brick clays specific to geology and their environment, Bristol Shortwood brick clay is local to her. It’s natural beauty, enhanced by its texture and imperfections much the same as us. Brick clays are frequently overlooked, undervalued and taken for granted throughout history, mirrored by experiences of some women throughout history. She uses glazes to enhance pieces’ natural beauty and form, emphasizing the natural unglazed surfaces. Forms reflect empathy, fragility with strength, qualities abundant in women, yet frequently under-valued but also the most beautiful and lasting.

 

Interacting with clay, mind and hands or body are in unison, responding to each other paralleling aspects within Clare’s previous midwifery career, providing wholeness to her work.

Wheel thrown glazed earthenware vessel made from local Bristol Shortwood Brick clay.

 

This piece is open and voluptuous form, inviting, warm and welcoming.

 

Made of unprocessed brick clay, it has natural imperfections and texture adding rather than reducing its value and attractiveness. Brick is a beautiful clay, often not noticed, just walked by, yet its strength and qualities have underpinned and provided safety and shelter for all of people. The glaze adorns it, complimenting its form, not hiding the beauty of what is beneath.

 

There are many parallels with women and their continued place in families, societies and cultures.

Glazed Earthenware

19x19x19cm