I create sculptures using a variety of techniques within kiln formed glass to highlight the beauty found within the states of decay and erosion - exploring the deteriorations that occur around and within us, the once solid forms that disintegrate over time, becoming ever more delicate and fragile. I draw on the intriguing imagery of this journey and the intricate structures that remain.

Working to manipulate and distort the material, to exploit the tension that exists between the planned and the unexpected that can occur within the making process, I constantly push the limits of the material in order to produce my unique sculptures. I am still filled with apprehension and excitement on every kiln opening to see what magic or disaster has occurred.

Rejecting the qualities typically associated with glass - the transparency, vibrancy and shine, I gravitate towards a simple monochrome palette and opaque glass, sandblasting to exchange the glossy shiny finish for a satin sheen.

The interplay of light within the pieces adds extra dimension and depth as it creates shadows through apertures or glows as it bounces around interior curves.