Acrylic by Diannah Lowry
Now Or Never
Diannah Lowry
Originally from Sydney Australia, I’m a painter and musician now living in South Devon, England. My work is inspired by both the external world around me and by our own inner spaces. I’m interested in exploring the abstract forms and shapes found in the drama and moods of the Devon landscape around me, and equally in examining how abstract form can be used to express our own inner moods and landscape.
I’m thus inspired to paint intuitively, reflecting on the shifts in my own inner world. I’m passionate about exploring the many ways that shape and form can form cohesive wholes, as well as how colour, shape and form can be constructed to reflect the ambiguity and uncertainty of our lives. In this way my interest is in both the simplicity and complexity of abstract form, and it is this that characterises the different subject matter of my work and my approach to it.
I use a variety of media including acrylics, oils, watercolour, inks, and pastels. I also like to use a variety of different surfaces. I use brushwork when capturing the movement, light and tone of my external and inner landscape, and make use of layers of brayer work, a dark palette, and iconic symbols of ‘forbidden spaces’ such as barbed wire to convey a sense of both external and internal boundaries. My paintings are not confined to one particular genre or style, I enjoy the challenge of exploring different subjects and techniques. The portfolio of my work is thus broad in scope, and I love the freedom that painting provides.
A painting loosely based on my experience from back in the days of performing with a post-punk band in the 1980’s, and being frozen by the thought of going on stage. Back then, a band fronted by a female singer/guitarist was unusual, so my fear wasn’t entirely unfounded. Eventually, with the help of a legendary licensee called Stella (a whole other story) who gifted me a series of gin & tonics for the occasion, and urged (pushed?) me on stage. For whatever reason, my entrance into exhibiting abstract works, rather than my previous figurative work, has felt a bit the same. Sometimes it’s just a case of now or never.
Acrylic on Canvas
85x65cm
Framed in an open frame