![Colour Chart](https://static.wixstatic.com/media/0b9020_1eeeb59ce2d14a0180b5705e344625c8~mv2.jpeg/v1/fill/w_100,h_80,al_c,q_80,usm_0.66_1.00_0.01,blur_2,enc_auto/Kirsteen%20Titchener%20-%20The%20Grip.jpeg)
Referencing the British Colour Council Dictionary of Colour Standards.
Mulitfaceted Possibilities Of Colour
The work selected for this exhibition references the British Colour Council Dictionary of Colour Standards. A collaboration with poet Judith Wilson has resulted in a collection of poems that reference the colours’ nomenclature. These can be seen alongside monochrome paintings that seek to reinterpret the colours. The colour chart is a format adopted by many artists in various ways. Colour charts came into use by the 1880’s as mass production of ready mixed paints came onto the market. Their design established a format that has not changed since that time, a set of individual units arranged in rows and columns. ‘Unlike that of the colour wheel, there is no logic to the sequences of colour ranges…it is a non-hierarchical list of colours.’ (ref Colour Chart - Reinventing Colour, 1950 to Today; MOMA; 2008).
Exhibiting Artists